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Disney's 'Moana' dominates the Thanksgiving weekend box office with $81 million opening

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Moana box office Disney

Disney figured out how to win the Thanksgiving weekend years ago, and since then has just gotten better at it.

Before this year's five-day holiday, eight of the top 10 all-time box office grossers over Thanksgiving weekend were Disney titles, with 2013's "Frozen" leading the way ($93.5 million).

Disney now holds nine of the top 10 titles over the Turkey Day holiday thanks to its new release, "Moana."

The movie took in a strong $81.1 million, according to Exhibitor Relations, which puts it at No. 2 all-time over the holiday weekend.

Following a Polynesian girl who heads out on an ocean journey to save her people, the movie features the voice of Dwayne Johnson and the music of "Hamilton" creator Lin-Manuel Miranda.

"Moana" got off to a great start when it earned $2.6 million in Tuesday preview screenings, breaking the previous record held by "The Good Dinosaur." The movie went on to having an opening day take of $15.7 million. It had a strong Thanksgiving Day with $9.9 million, and then on Friday shot up to $21.8 million.

The strength of "Moana" and "Fantastic Beasts and Where to Find Them," which came in second over the holiday weekend with $65.3 million, helped the domestic box office cross the $10 billion mark for the year in record time.

That milestone was hit on Friday  faster than last year when it didn't reach that number until December 18. And 2015 saw an all-time record $11 billion at the domestic box office, so Hollywood studios are very thankful this Thanksgiving as things are looking good for 2016 to surpass last year's mark.

"Moana" is just the latest example of Disney's dominance at the box office this year. The studio has passed the $6 billion mark globally, an all-time record for the company, and is nearing an industry all-time record of $7 billion worldwide for the year.

SEE ALSO: The breakout star of Disney's "Moana" was almost a totally different character

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NOW WATCH: Here's what it's like keeping secrets on the set of 'Game of Thrones'


Wes Anderson directed a wonderful Christmas ad starring Adrien Brody for H&M

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wes anderson adrien brody hm Christmas commercial

Movie director Wes Anderson brought his trademark quirkiness to an H&M Christmas commercial starring Adrien Brody.

Brody plays the conductor of a train who discovers that "challenging weather" and "mechanical difficulties" ahead will delay the train from its destination on Christmas Day. To keep spirits up, he and a crewmember craftily set up a decorative Christmas brunch for the passengers, including an adorable little boy.

As delighful as it is, let's not forget this is a commercial; the passengers are wearing H&M clothing, of course.

The commercial reunites Anderson and Brody after they worked together on the films "Darjeeling Limited" and "The Grand Budapest Hotel."

Watch the festive film by Anderson for H&M below:

SEE ALSO: 'Die Hard' is definitely not a Christmas movie, according to most Americans

DON'T MISS: The unlikely history of the Charlie Brown Christmas special, 50 years later

Join the conversation about this story »

NOW WATCH: The new 'Kong: Skull Island' trailer looks incredible — and it's setting up a showdown with Godzilla

'Star Wars' star Mark Hamill says Trump's cabinet is a 'who's who of really despicable people'

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mark hamill

"Star Wars" star Mark Hamill would definitely say that the force with President-elect Donald Trump is of the dark variety.

"I'm in total denial," Hamill told The Daily Beast of Trump's presidential win while promoting his new Comic Con HQ show "Pop Culture Quest," in which he highlights fans with massive memorabilia collections.

"I’m glad I have [the show] to take my mind off what’s going on," the actor who plays Luke Skywalker in the "Star Wars" film franchise continued. "Because if you look at what’s being assembled for our government it’s like, yikes. It’s a who’s who of really despicable people."

Several of the president-elect's cabinet appointments have invited criticism, especially his hire of former Breitbart News chairman Steve Bannon.

In fact, Bannon himself invited comparisons to "Star Wars" villains when he said "darkness is good" in an interview  with The Hollywood Reporter recently.

"Dick Cheney. Darth Vader. Satan. That’s power," the next white house chief strategist said.

Hamill, an outspoken Democrat and Trump critic, said that he hopes the the positive messages of "Star Wars" still resonate with young fans.

"It sounds corny, but the 'Star Wars' films were incredibly optimistic films,” he told The Daily Beast. “They talked about doing good just because it helps others and being selfless and understanding your place in the universe. Beyond being entertaining, I hope that’s a message that kids still respond to. Because I still believe that. I still believe all those tenets of ‘treat others the way you want to be treated’ and so forth."

Hamill will return to play Luke Skywalker for "Star Wars: Episode VIII" due out in theaters in December 2017.

SEE ALSO: Watch the new trailer 'Trust' for 'Rogue One: A Star Wars Story'

DON'T MISS: Donald Glover's costar says he'll bring 'visibility' to Lando, who was 'kind of lost' in 'Star Wars'

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NOW WATCH: Trump makes baseless claim that he lost the popular vote only because 'millions' voted illegally

The best movies and TV shows coming to iTunes, Amazon, and more in December

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mozart in the jungle gael garcia bernal

There’s a lot to dive into on your preferred streaming service in December.

From “Sully,” “Magnificent 7,” and indie hit “American Honey” on iTunes to Amazon original series “Mozart in the Jungle” and “The Man in the High Castle” returning, you have to add binge-watching to your things to do this holiday season.

Below are all the titles that will be available and we've highlighted some in bold we think you should definitely check out.

SEE ALSO: CNN is betting a YouTube star with 5.8 million followers can snag younger viewers

iTunes

Available December 1

Incorporated
Dolly Parton’s Christmas of Many Colors: Circle of Love 
Vikings Season 4

Available December 2

“Top Chef” (Season 14)
“Man Down” (In theaters now) 
“Always Shine” (In theaters now) 

Available December 5

“Mariah’s World” (Free Series Premiere)
“Paw Patrol: Winter Rescues”  
“The Royals” (Season 3; Free Season Premiere) 

Available December 6

“Sully” 
“Storks” 
“Magnificent 7” 
“Slash”
“Demon” 
“The Hollars”
“Pete’s Dragon” 
“The Music of Strangers” 
“The JT LeRoy Story” 
“Timber Creek Lodge”

Available December 7 

“Real Housewives of Beverly Hills” (Season 7)

Available December 8

“Hairspray Live!”

Available December 9

“Burn Country: (In theaters now) 
“Beyond The Gates” (In theaters now) 
 
Available December 10

“Duck the Halls: A Mickey Mouse Christmas”
“Albert” 

Available December 13

“American Honey”
“Before I Wake” 
“Snowden” 
“Equity”
“When The Bough Breaks” 
“Little Men” 

Available December 15

“The Bureau” (Season 2)  
“Star” (Free Series Premiere)

Available December 16

“A Kind Of Murder” (In theaters now) 
“Solace” (In theaters now) 

Available December 20

“The Dressmaker” 
“Deepwater Horizon” 
“Birth of a Nation” 
“Middle School: The Worst Years” 
“We Love You” 

Available December 26

“When the Heart Calls” (Season 4)
“Doctor Who Christmas Special: The Return of Doctor Mysterio”

Available December 27

“Denial” 



Amazon Prime

Available December 1

“6 Souls”
“Blood Diamond”
“Caddyshack”
“Choices of the Heart”
“Cobra”
“Color Me Perfect”
“Corregidor”
“Custer’s Last Stand”
“The Day of the Wolves”
“Devil’s Cargo”
“Devil’s Playground”
“Diamond Trail”
“Dixie Jamboree”
“Down to the Sea”
“Elizabeth: The Golden Age”
“Ferocious Pal”
“The Fighter”
“Fire Alarm”
“Fisherman’s Wharf”
“Flaming Lead”
“Flying Blind” (What Version)
“Forbidden Jungle”
“Getting Up and Going Home”
“Green Eyes”
“Half Shot at Sunrise”
“Hearts of Humanity”
“High Powered”
“Identity Unknown”
“If You Believe”
“In Old Santa Fe”
“Invisible Germany”
“The Irish Gringo”
“Journey to Freedom”
“Kept Husbands”
“King of the Sierras”
“Lars and the Real Girl”
“Law of the 45’s”
“Law of the Jungle”
“Lost in the Stratosphere”
“Love is Strange”
“Love Island”
“Mad Youth”
“Man with Two Lives”
“Navigating the Heart”
“Paperman”
“Passion’s Way”
“Peck’s Bad Boy”
“Phantom Rancher”
“Range of Motion”
“Range War”
“Renegade Trail”
“Riddle Ranch”
“Rob Roy”
“Simba: King of the Beasts”
“Six Shootin’ Sheriff”
“Skyway”
“Take My Advice”
“The Care and Handling of Roses”
“They Call It Murder”
“Tough Kid”
“When a Man’s a Man”
“Wrangler’s Roost”

Available December 2

“Lost in Oz” (Season 1; Amazon Original)
“Clarence” (Season 10)

Available December 6

“Pete’s Dragon”
“The BFG”
“Howards End”
“Oddball” (What Version)
“Millionaire Dog”
“Dead Rising: Endgame”
“The Secret Agent”

Available December 7

“Therapy for a Vampire”

Available December 9

“Mozart in the Jungle” (Season 3; Amazon Original)

Available December 10

“Daddy’s Home”

Available December 13

“800 Words”
“Britain’s Bloodiest Crown”
“Close to the Enemy”
“Jericho of Scotland Yard”
“Shelley”

Available December 14

“The Expanse” (Season 1)

Available December 16

“The Man in the High Castle” (Season 2, Amazon Original)

Available December 17

“Anomalisa”

Available December 22

“Cafe Society” (Amazon Original)

Available December 30

“Homeland” (Season 6)



HBO Go/Now

Available December 1

“Any Given Sunday”
“Assassins”
“Cop Land”
“The Family Man”
“Gentleman Broncos”
“The Green Mile”
“High Anxiety”
“License to Wed”
“Mr. Baseball”
“My Big Fat Greek Wedding”
“My Blue Heaven”
“P.S. I Love You”
“Redemption”
“A Serious Man”
“Singles”
“The Sisterhood of the Traveling Pants 2”
“They Live”
“Wildcats”

Available December 2

“Tracey Ullman’s Show” (Season Finale)

Available December 3

"Keanu"
“Pete Holmes: Faces and Sounds”

Available December 4

"Westworld" (Season Finale)

Available December 5

“The Trans List”

Available December 9

"Self/Less"
“Vice Special Report: A House Divided”

Available December 10

"My Big Fat Greek Wedding 2"

Available December 11

“Divorce” (Season Finale)

Available December 17

"Midnight Special"

Available December 19

“Risky Drinking”

Available December 23

"Puerto Ricans in Paris"

Available December 24

"Hail, Caesar!"

Available December 26

“Every Brilliant Thing”

Available December 31

"Criminal"



See the rest of the story at Business Insider

Harry Potter designers have been hiding a character in the movies' fake newspapers for years

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Harry Potter reading Daily Prophet in Half Blood Prince

The INSIDER Summary:

• Design firm MinaLima makes the newspapers in the "Harry Potter" and "Fantastic Beasts" movies. 
• They've been including a recurring fictional character in each film's papers: the Ginger Witch.
• She's a hooligan with a criminal career spanning decades.


 

J.K. Rowling's wizarding world has a thriving free press. In Britain, The Daily Prophet informs magical citizens of ongoings. In New York, The New York Ghost warns everyone about the rise of Grindelwald.

For the films, the MinaLima design studio creates the newspapers. And while there are a few headlines that J.K. Rowling wants to make sure are in the movies, the rest of the content is up to MinaLima's Miraphora Mina, Eduardo Lima, and their team. Over the years, they've snuck in Easter egg advertisements about Quidditch matches and headlines about having more witches in the workplace. It helps to build an authentic wizarding world.

"We know now that things do get seen," Mina told INSIDER. "In the past, we didn’t realize how much these would be scrutinized by fans."

MinaLima has also snuck in a recurring character that some fans may have noticed over the years: the Ginger Witch. She's a hooligan who's always committing crimes and getting in and out of Azkaban.

The character first popped up in the third "Harry Potter" movie and has appeared throughout the franchise since. For the release of "Fantastic Beasts and Where to Find Them," which takes place years earlier in 1926, some backstory was added for the character.

We've rounded up the character's appearances chronologically throughout the wizarding world over the years.

The Ginger Witch first shows up in a Daily Prophet headline in "Fantastic Beasts." She's called "mysterious" and she's under investigation, though we don't know what for.

Daily Prophet Ginger witch under investigation fantastic beats

Then there's another ginger witch in the pages of The New York Ghost. According to Mina, she's the same character. She's allegedly been snatching wigs.

The New York Ghost Ginger Witch fantastic beasts

Nearly 70 years later, the Ginger Witch strikes again! This time, it's in an issue of The Daily Prophet in the "Harry Potter and the Prisoner of Azkaban" movie. Sirius Black's escape gets the front page, but the back has a notice about the Ginger Witch. She was implicated in a product recall of Bertie Bott's Every Flavour Beans.

A year later, in "Harry Potter and the Goblet of Fire," she's on the streets again and up to more shenanigans. First, she was arrested in a Muggle football match.

Daily Prophet ginger witch fantastic beasts

Later, she was implicated in a scheme where two flying pigs interfered with Muggle air traffic, according to The Daily Prophet.

Ginger witch flying pigs

By "Harry Potter and the Order of the Phoenix," the Ginger Witch was sufficiently famous enough to make the front page of The Daily Prophet. Underneath an above-the-fold story about Dumbledore, and next to a vanity article about Minister for Magic Cornelius Fudge winning the "most stylish wizard" competition, we learn that the Ginger Witch is back at it again.

Daily Prophet Ginger Witch harry potter order of the phoenix

From here on, we don't have the reliable Daily Prophet to tell us more about the Ginger Witch's adventures. But, fortunately, the Quibbler picks up on the story. In the "Harry Potter" universe, it's a much less reliable publication, but it's all we've got.

First, the Quibbler tells us that she was arrested in Caxambu, Brazil, with fake henna. Is it related to the henna explosion she survived, as chronicled by The Daily Prophet?

Next, the Quibbler writes that the Ginger Witch was sent to Azkaban for her part in the "fake henna scandal."

But not for long! Our last chronological sighting of the Ginger Witch reveals that she made it out of Azkaban. And for all we know, she's still out there, robbing Honeydukes and causing mischief.

Daily Prophet ginger witch escape azkaban

Join the conversation about this story »

NOW WATCH: Watch the trailer for the new Martin Scorsese film that took over 20 years to make

These are the real faces behind every Disney princess

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moana voice actress

Over the years, 17 women have lent their voices to bring Cinderella, Belle, Mulan, and the other Disney princesses to life.

Disney's new masterpiece "Moana" introduces the studio's strongest female role model yet. The Polynesian teen is played by 16-year-old newcomer Auli'i Cravalho, from Hawaii.

"Moana" became the second-biggest box-office opening on Thanksgiving weekend, second to "Frozen."

Here's a little background on Cravalho and the leading ladies that came before her.

SEE ALSO: 7 amazing Easter eggs you probably missed in Disney's 'Moana'

Snow White befriends small forest creatures and takes a long, curse-induced nap in 1937's "Snow White and the Seven Dwarfs."



In real life, Adriana Caselotti was a convent-educated teenager who beat out 150 actresses.

Walt Disney personally hired 18-year-old Adriana Caselotti for the role of Snow White in his first feature-length cartoon. She made $20 a day reciting lines and singing, which is reportedly less than for one of the actors who voiced a dwarf.

After "Snow White," Caselotti sang opera, worked briefly in real estate and the stock market, and wrote a book on singing.



In 1950's "Cinderella," the princess made an unforgettable appearance at a ball.



See the rest of the story at Business Insider

How a struggling actor became one of the hottest Oscar contenders of 2016

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Hell or High Water CBS Films

When Taylor Sheridan was 11 years old, he caught a wicked case of pneumonia that left him bedridden for weeks and unable to enjoy the 200 acres he lived on in the small North Texas community of Bosque County, just an hour west of Waco.

Though he looks back on his childhood fondly, being sick and stuck with nothing to do but watch the three channels on his TV set was the foundation for what he does today.

"I watched a lot of old movies," Sheridan, 47, recently told Business Insider of that time. "Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived. Soon after, we finally got cable, and the whole world opened up."

Sheridan's meteoric rise as one of the top screenwriters working in Hollywood — thanks to his acclaimed scripts in the last two years, "Sicario" and "Hell or High Water"— is unique.

Taylor Sheridan Tommaso Boddi GettyAfter spending over 20 years as a struggling actor, he finally landed a steady role playing Deputy Chief David Hale for three seasons on "Sons of Anarchy." But when it came time to renegotiate his contract in 2010, Sheridan found himself at a crossroads.

"They had one idea about what I was worth, and I had a very different idea," he said.

The grind to make a living as an actor had delivered its death blow. Fed up with making the weekly salary rate for "Sons of Anarchy"— which after taxes and paying his agent wasn't enough for him to make a living, so he had to also teach evening acting classes to pay rent — and with a baby on the way, Sheridan saw the negotiations as a wake-up call.

"How can you tell your kid you can be anything you want to be if you're not trying to do the same?" he said. "I imagine myself being 40-something years old and I can't go to his baseball game because I got a Windex commercial or something."

So Sheridan quit "Sons of Anarchy"— and acting.

This is when Taylor Sheridan's career in show business could have ended.

Not wanting to raise his child in a big city like Los Angeles, he moved his family to Wyoming, where he interviewed for a ranch manager job.

"I was going to be the head wrangler at a ranch in Wyoming, and the reason I didn't take the job is because I couldn't have my family there — the family had to stay in town," Sheridan said. "I just wasn't willing to do that."

Instead, Sheridan took up screenwriting.

"I just sat down and thought, 'I don't know how to do this, but I've read 10,000 scripts in my life and most of them were not very good, so if I just don't do all the things that bothered me as an actor it will probably turn out OK,'" he said.

sicario bluntHis first script was "Sicario," a thriller he wrote on spec that's set on the US-Mexico border and follows an idealistic FBI agent who is brought in to help take down the Mexican cartels, but instead finds she's the pawn in a plot of a CIA officer to take control of one of the cartels by having its leader assassinated.

"I didn't expect the movie to ever be made," Sheridan said. "Every writer has written a spec. It's the first thing you write, and it basically stands as a means of 'here's an example of how I tell stories.' It's almost like a business card.

"So 'Sicario' essentially was that. You dream it will be made. You hope. But realistically you can't care."

Sheridan threw the script in the drawer and wrote a script that would be easier to sell: "Hell or High Water," then titled "Comancheria."

Like "Sicario," it would explore Sheridan's fascination with the modern-day American frontier. But this time he wrote something closer to home. He used a crime caper to examine the impoverished West Texas towns he came across when visiting family in Orchard City a few years ago.

"I was driving by empty house after empty house — it was just abandoned. And this one place that I think had the best hamburgers in America was gone," he said. "The idea of all these places being gone, and then there was this terrible drought, it just became natural that I wanted to explore that."

He set the story around two brothers who decide to embark on an ingenious bank-robbing spree to save their family ranch, which is a victim of the mortgage crisis.

Though "Hell or High Water" sold first, ironically it was "Sicario" that got to theaters first, thanks in part to top talent like Emily Blunt and Benicio Del Toro.

But "Hell or High Water" could lead to Sheridan receiving Oscar gold.

Released this summer among the dead weight of bloated sequels and failed blockbusters, the movie instantly built a following and Oscar hype for Sheridan. Chris Pine and Ben Foster are incredible as the brothers, while Jeff Bridges gives one of his best performances in years — which might also land him an Oscar — playing the Texas Ranger who is on their trail.

In both "Sicario" and "Hell or High Water," Sheridan displays a gift of telling original stories through genres in which we think we've seen it all. And though in "Sicario" the story is extremely clever, in some ways the visionary skills of director Denis Villeneuve ("Arrival") and cinematographer Roger Deakins are what you remember most when you walk out of the theater.

Hell or High Water CBS FilmsIn "Hell or High Water," director David Mackenzie lets Sheridan shine — especially his dialogue, which is some of the best you'll get all year.

Sheridan's success seems even more remarkable when he admits that the finished scripts for both "Sicario" and "Hell or High Water" were first drafts. Asked how this is even possible, Sheridan goes back to his former career.

"What I did as an actor, I was the guest star, I was the 10th banana on the series. My job was to push exposition. I was the one that shoveled the implausible parts of the scripts. That was my job," he said. "So for me, it was very easy on the page to see if I tried something and it didn't work. For me, structurally it needs to be seamless. I'm not someone who puts the whole thing down and goes back to fix. I want it perfect as I go."

Sheridan has completed the script for the "Sicario" sequel, "Soldado," which will come out next year with Josh Brolin returning as the CIA agent and Del Toro as the assassin. And he's finishing up his directorial debut, "Wind River," the conclusion of his American frontier trilogy, which will also open in 2017.

Starring Jeremy Renner, Elizabeth Olsen, and Jon Bernthal, it looks at a murder at a Native American reservation.

"There's a theme that exists in all three of these movies, which is failure of a father, and that theme is explored in its most acute sense in this one," he said. "I don't want to say resolved, but I was really fascinated by how someone moves on from a tragedy without ever getting closure."

Sheridan is aware of the importance of "Wind River.""Sicario" put him on the map, and "Hell or High Water" could earn him an Oscar, but it will be his work in the director's chair that will prove if he can go forward telling his stories through his own lens.

"I was lucky with Denis and David. They were very protective of the scripts," Sheridan said. "But with 'Wind River' I got to do exactly what I wanted to do. If that one doesn't work, there's no pointing the finger at anyone but me."

SEE ALSO: The best movies and TV shows coming to iTunes, Amazon, and more in December

Join the conversation about this story »

NOW WATCH: 7 details you may have missed on episode 9 of 'Westworld'

Ethan Hawke describes Trump's presidency as 'fascism' and says Hollywood will speak out

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Ethan Hawke Michael Loccisano Getty final

The Gotham Awards are held every year on the Monday after Thanksgiving in New York City, marking the unofficial start of the award season. Though the event champions major achievements in the independent film world, it was hard this year to avoid addressing the results of the presidential election, including for one of its winners, Ethan Hawke.

The evening’s host, Keegan-Michael Key (half of the duo making up TV show “Key & Peele,” he also starred in this year's indie “Don’t Think Twice”), joked at the beginning of the show that he had missed the election and had written his monologue before the results, assuming Hillary Clinton had won. The act only got a small number of laughs.

Damian Lewis presented the audience award by saying, “The film that receives the most votes is the winner. What a brilliant idea,” referring to Donald Trump winning the Electoral College to win the presidency but Clinton winning the popular vote.

Comedian Nick Kroll got in on it as well when he presented the best actor award: “Gentlemen, if you don’t win, take solace in the fact that you didn’t win because the Russians interfered in ways we don’t understand,” he said.

Ethan Hawke received one of the tribute awards of the evening, and in talking backstage with Business Insider, he didn’t hold back on what he thinks about President-elect Trump.

moonlight A24“The great thing is the artistic community is given a huge opportunity,” Hawke told Business Insider. “Whenever faced with fascism, the artistic community generally rises to the occasion.”

Barry Jenkins, director of the year’s hit indie movie “Moonlight"— which won four awards during the evening, including best feature — observed that, since the election, his movie has suddenly become a beacon for those who are disappointed by the results.

“In the wake of the election people sent me Twitter and Instagram direct messages saying that as a result of the election the only thing to do was to spend two hours that they felt would give them a fresh perspective or reaffirm this idea of humanity,” Jenkins told Business Insider after winning the best feature prize. “I got so many notes about people seeing the movie for a second time after the election. So in that sense I don't know if it's changed the film but the one thing I think of is I went eight years without making a film. The fact that the film exists right now for people who might need it, I think it's a very beautiful thing.”

SEE ALSO: How a struggling actor became one of the hottest Oscar contenders of 2016

Join the conversation about this story »

NOW WATCH: 10 details you may have missed in episode 8 of 'Westworld'


'Star Wars' spin-off 'Rogue One' definitely isn't getting a sequel, and that could be a hint

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Rogue One Disney final

Regardless of how the first ever standalone "Star Wars" movie, "Rogue One: A Star Wars Story," performs when it opens December 16, there will be no sequel, according to Lucasfilm head Kathleen Kennedy.

She made the statement in a recent piece for Empire (caught by /Film) and then was backed up by Industrial Light and Magic CCO John Knoll who says the movie was always intended to be self-contained.

This will only increase the speculation that Jyn Erso (played by Felicity Jones) and her crew who set out to steal the plans for the Death Star are not going to make it back alive (or not all of them, anyway).

Since the beginning, reports about the movie have suggested that it has a darker tone than the movies in the regular "Star Wars" saga. Kennedy has compared "Rogue One" to a war movie like "The Dirty Dozen" (most of them didn't make it back in that movie, too).

SEE ALSO: The "Fantastic Beasts" set was much larger and more difficult to make than "Harry Potter"

Join the conversation about this story »

NOW WATCH: Watch the trailer for the new Martin Scorsese film that took over 20 years to make

The director who was hired to reshoot the new 'Star Wars' will earn millions

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Rogue One Death Star Disney final

It looks like writer-director Tony Gilroy will make out pretty well for his work on the first "Star Wars" standalone movie, "Rogue One: A Star Wars Story."

To be exact, he'll get upward of $5 million. 

The director of "Michael Clayton" and "The Bourne Legacy" (he was also the screenwriter on several "Bourne" movies) came onto "Rogue One" during the film's much publicized reshoots over the summer and earned $200,000 a week to help polish dialogue and oversee the reshoots for the film directed by Gareth Edwards (2014's "Godzilla"), according to The Hollywood Reporter.

That figure is pretty standard for a writer of Gilroy's credentials on a major studio film. But sources tell the trade that as the workload increased, which included Gilroy taking a larger role in tweaking the film's ending, his fee went up to north of $5 million.

Tony Gilory Jamie McCarthy GettyGilroy began in June and by August took the lead in the rehoots, which went into the fall, according to THR. It has not been reported yet what the actual reshoot cost of the movie was.

Though Lucasfilm President Kathleen Kennedy and Disney CEO Bob Iger have been downplaying for months not just the reshoots but the expectations of "Rogue One," at least relative to the historic box office of "Star Wars: The Force Awakens," it seems that they still put in a lot of coin after principal photography on "Rogue One" to make sure they release a title that is on brand.

A representative for Gilroy had no comment. 

SEE ALSO: "Star Wars" spin-off "Rogue One" definitely isn't getting a sequel, and that could be a hint

Join the conversation about this story »

NOW WATCH: Watch the trailer for the new Martin Scorsese film that took over 20 years to make

Here's what the cast of 'Rogue One: A Star Wars Story' looks like in real life

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Jyn Erso Felicity Jones Star Wars Rogue One

On December 16, Disney is releasing a new "Star Wars" movie. "Rogue One" isn't a part of the regular galactic saga. Instead, it's a spin-off movie that takes place before the events of 1977's "Star Wars: A New Hope."

It follows an attempt by the Rebellion to steal the Galactic Empire's plans for the Death Star. It'll also be about the motley crew that's up for the task, assembled from different corners of the universe. With a new timeframe, we also get a bunch of new characters. 

Here's what the characters look like off set.

The movie's villain is Director Orson Krennic, an ambitious Imperial character who's bent on destroying Rebel forces and is in charge of advanced weapons research.



Ben Mendelsohn doesn't always wear a dramatic white cape.



Krennic enlists scientist Galen Erso to help on a secret project to build the first Death Star weapon. Erso is of interest to both the Rebellion and Empire for his "doomsday knowledge."

Source: Entertainment Weekly



See the rest of the story at Business Insider

Tom Cruise is bringing 'The Mummy' back to life, and the movie has an intense new trailer

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The Mummy Universal final

"The Mummy" franchise, which was a cash cow for Universal in the late 1990s and early 2000s and made Brendan Fraser an unlikely action star, is getting a reboot with Tom Cruise at the helm.

Following the spin-off "Scorpion King" movies — which failed to launch Dwayne "The Rock" Johnson, though he would find his footing later, and then went straight to DVD — Cruise is serving as executive producer and starring in this reboot.

The story is set in modern times as an ancient princess awakes from her tomb and only Cruise can stop her from destroying the world.

The frightening CGI effects and some sweeping photography will definitely entice fans of a certain kind of action-adventure/horror movie.

Here's the first teaser for the movie, which opens June 9, 2017:

SEE ALSO: 29 movies you have to see this holiday season

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NOW WATCH: 10 details you may have missed in episode 8 of 'Westworld'

Jessica Chastain talks ambition and male costars who are paid 'seven times' her salary

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Jessica Chastain 02

In just six years, Jessica Chastain has gone from unknown theater actor with occasional TV gigs to a two-time Oscar nominee. She's also an inspiration to young actresses in Hollywood for taking genre-busting roles like the driven CIA analyst hunting Osama bin Laden in “Zero Dark Thirty” and the no-nonsense wife of a heating oil company owner in “A Most Violent Year.”

Now she's taking on the boys' club that is DC politics in “Miss Sloane” (currently playing in select theaters, opening in wide release on December 9). Playing lobbyist Elizabeth Sloane, Chastain delivers a riveting performance as a ruthless influencer in the political world. But when the gun lobby attempts to acquire her talents, she shocks everyone by moving to the other side of the issue, and she brings all her tricks with her.

Business Insider recently talked to Chastain about her transformation into a lobbyist (which could get her another Oscar nomination), how she deals with Hollywood's gender pay gap in her own career, and what her plans are now that Donald Trump has been elected president.

Jason Guerrasio: So you read former lobbyist Jack Abramoff’s book for research. How did you plug that into the Elizabeth Sloane character?

Jessica Chastain: Well, I wanted to learn the underside of lobbying so I read his book and I also thought how does someone get into lobbying? Because someone doesn’t think immediately, "I want to be a lobbyist.” So reading his book, I saw how he started working for the Reagan campaign, and it was very helpful in created a backstory as Elizabeth works on free enterprise and she's conservative, for sure. I wanted to understand issues that would be important to her. But I also wanted to learn about being a woman in DC — it's definitely a boys' club.

Guerrasio: Was it hard to find female lobbyists in DC?

Chastain: I just started Googling "successful female lobbyists" and did as much research as I could. I put a list of people together. I met around 11 women on a weekend and I shadowed someone during a fundraiser. I shadowed someone who lobbied on Capitol Hill. It was very, very helpful. 

Guerrasio: Did you get into what they did after-hours, too?

Chastain: I didn't get into it that much. We talked about their personal lives and what it's like in DC and what they have to contend with, but I never went to their houses or anything like that. 

Guerrasio: And something that's striking talking to you now is how different your voice is in the movie. How conscious were you in how Elisabeth would talk?

Chastain: She's a very different character to me. I'm very much a hippie from Northern California. I’m very slow in my rhythm and my energy and she's a woman who is the opposite of that. That was a big challenge for me to play and bring that kind of energy that she has. She's doing five things at once, so though I'm not thinking about my voice, I'm sure when you think about the energy and that she has to talk to her team in her office and thinking about emails she's sending out, she's got many layers she's going through. Because of that I think she doesn't have time that I have, so I think you're hearing that. 

Guerrasio: And being among a boys' club she has to have an assertive voice.

Chastain: Yeah. It's almost like she's not living life to its potential. The clothes she wears — I talked to [“Miss Sloane” director] John Madden about this — I wanted it to be like she's in a suit of armor. She's going to battle. There's no sensuality to her, she doesn't enjoy fashion, she pays someone to buy her clothes and style it. Her sex life, there's no foreplay, it's something that is just "get it done as quick as possible and let's move on to the next thing." I think that went into how I held my body, my voice, everything. 

Guerrasio: The gun debate is very much the MacGuffin of this movie. The audience is really more interested in your character and what she'll do next. How she’ll get out on top. Is that reaction a surprise for you?

Chastain: What I loved about this when I first read it was it reminded me of an Aaron Sorkin project. I grew up watching “The West Wing” and I loved that show and I have been so interested in the gun debate. There was so much information about it in this film, and not just how a bill gets passed, but all the fundraising involved. At the end of the day, though, it's not a documentary, it's entertainment, so it has to have an entertaining character and the aspect of the film is a thriller, so that was all very interesting to me. But making this going into the election, I realized this is also about gender politics. I knew I needed to meet female lobbyists, because, yes, it is a boys' club. I needed to understand their gender politics. But I didn't understand how important it was when I met with these women. In this current system it really came to the forefront of this film. 

zero dark thirtyGuerrasio: How did the responsibility of creating Elizabeth Sloane differ from doing Maya in “Zero Dark Thirty”?

Chastain: I take great responsibility in any character that I play. Maya is based on a real woman and there's a lot of speculation on who she is so there was a responsibility in that, but also you have to stay topical and that was a character where the main focus in our film was revenge. She was seeking out someone. So that was a character study on what happens to a person when they live their life like that. And she's a character that doesn't play politics, she doesn't know how to be nice in a room or manipulate, she says what she feels. Elizabeth Sloane, there's a slyness like she's almost a shark. She knows how to manipulate, she knows how to work a room, she's great at politics. So no matter what the characters you play, you have to find the differences in them, especially when you are doing a political movie. Both are political movies that are ambitious with very powerful females at the center.

Guerrasio: I don't know if you heard the comments Amy Adams gave recently about the gender pay gap and how producers should be asked the question more than actresses. Do you feel the media should stop asking actresses about the gender pay gap in Hollywood?

Chastain: I don't know exactly what her quote was because I didn't read it but I'm sure she's being asked a lot because she was the subject of a lot of the pay gap conversation for “American Hustle.” I love the article that Jennifer Lawrence wrote about the pay gap — I thought it was so important. I love that people are talking about it. It makes sense that journalists are asking actresses and actors about it because, seriously, producers aren't the ones doing press.

Miss Sloane 1 EuropaCorpI saw a video where Amy Pascal was asked about the wage gap and she said basically women get paid less because they don't ask for more. And I heard that and at first I got so offended and then I went, wait a minute, that's probably true. I started reading a lot about it and you realize women don't ask for more but they don't ask for promotions, and knowing that I've completely changed. No matter what, I'm going to ask for more. I'm going to ask what is correct, what I deserve, especially in relation to male actors. And it's also making me ask why don't we ask for more? Maybe it's a situation like after the first presidential debates, Hilary Clinton's criticism was that she was over-prepared. I have never heard anyone say that about a man — he’s over-prepared for a debate or the job. And we have to look at society and go, why is society telling women to not show up over-prepared? Not to be treated equal. Not to ask for more. Not to be ambitious. What's wrong with trying hard and showing up and being good at your job? We really need to look at ourselves and say we need to reevaluate this. We need to reevaluate that women who ask for a pay raise or ask for a promotion — it’s actually an okay thing. It's okay to be ambitious, it's okay to be over-prepared. I guess going back to “Miss Sloane,” she's the example of a woman who does all of those things. 

Guerrasio: So in negotiations for roles, you are being more aggressive? Asking more questions?

Chastain: For me, I’m not in an industry where I'm starving. I'm so lucky to have this job, I'm compensated for my work in an incredible way. But what I do ask is when I join a production I want to make sure that the male actor isn't making four times my salary, which has been true, or seven times my salary. And if that's true you go, you know what, I don't need this job. It's not really asking for more — it's asking for something that is respectable and equal to the male actor and you have to go, why are women being valued less?

And I think you have to take the whole idea of wage equality out of the film industry. Yes it's here, and yes it's so visible because actors are talking about it, but take it to other industries. Look at Hispanic women — they are being paid 42 cents on the dollar — or African-American women. I think it's an issue we have to look at across the board.

Guerrasio: How has the election this year changed you?

Chastain: I feel very inspired right now because I know there are a lot of people out there who are really scared but I feel this great sense of togetherness and people coming together and saying, "I got your back." Look, if anyone is scared, I got your back. I'm going to the Women’s March on Washington, which I'm really excited about. And it's not anti-anything — it's pro. It's showing how strong we are together — women, minorities, and those who feel ignored. I’m really excited to be there to show my support. 

SEE ALSO: How a struggling actor became one of the hottest Oscar contenders of 2016

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Why 2016 was one of the greatest years for horror movies ever

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the witch

Whether it was big studio releases or smaller indies, the horror genre thrived this year.

Though Disney has taken most of the box-office headlines in 2016 as it nears an industry record of $7 billion earned worldwide in the year, the scrappier horror genre made close to $600 million domestically, according to Box Office Mojo. Not only did several titles find near-universal critical praise, like “The Witch” and “Green Room,” others like “The Conjuring 2” and “Don’t Breathe” hit No. 1 on their opening weekends.

In an era when the conventional thinking is that impossible-to-miss blockbusters are the only things to motivate audiences to get to movie theaters, horror consistently still brings in the crowds. Partly for its unique stories, but also because people still love to go to the movies to be scared.

dont breathe sony“I think horror in particular is one genre that people really feel like it's worth going out and seeing with a big group,” Jason Blum, head of the successful horror production company Blumhouse Productions, told Business Insider. “In some ways horror is not falling off the way other theatrical genres are where we are watching them more in different places other than movie theaters.”

And the big demo leading the charge? Women. Though the trend has been building in the last decade as horror films have cast female leads often in empowering roles, “Lights Out” producer Lawrence Grey saw an increase this year.

“It used to be 50 percent of ticket sales were female. Now it's ticking to 60 and above,” Grey told Business Insider earlier this year.

But there’s also the hunger for original stories. Throughout the year, horror movies have been giving moviegoers something different from Marvel superheros and lovable Pixar characters. That ingenuity has ranged from the more ridiculous, like Blake Lively as a surfer matching wits with a great white shark in “The Shallows,” to the macabre “The Witch,” in which a 1630s New England family falls victim to the sinister unknown.

“I do imagine part of why we're getting these great horrors — going back to ‘Let the Right One In’ and ‘The Babadook’ and ‘It Follows’ — I imagine other filmmakers are thinking like me,” “The Witch” director Robert Eggers said. “I want to make something good and personal, but it needs to be in a genre to get made right now.”

the eyes of my mother magnet releasingThat’s what led director Nicolas Pesce to use horror to make his feature debut “The Eyes of My Mother” (opening in theaters on Friday). Looking at a lonely woman consumed by her homicidal desires, Pesce gives the movie a terrifying setting by shooting it in black-and-white and showing a whole lot of gore.

“I loved movies like ‘Night of the Hunter’ and ‘Psycho’ so that to me is what horror movies are, this Gothic noir,” Pesce said. “But at the core of it, they are all a character study of a dark person and these movies use the horror set pieces to emphasize whatever actual drama is going on.”

But director Karyn Kusama, who made the terrifying dinner-party movie “The Invitation” this year, also believes the success of horror today comes from what’s going on in the world.

“I’m not going to lie, I think we live in horrifying times,” she said. “And horror offers us a window into those states of vulnerability that a lot of other genres can't or won’t. Horror movies are stepping in some cultural way to a role that I think is desperately needed in pop culture, which is access to our emotional lives and fears.” 

Though horror is doing as well as ever, Jason Blum feels the last thing he and his colleagues in the genre can do is be complacent.

“I think the movie business is guilty of looking in the rearview mirror, looking at past successes for future decisions,” Blum said. “What I try to not do myself, and I remind everyone at my company, when horror movies have a little run of success, you have to stop the impulse to try and copy what's worked and encourage the instinct of trying new things.”

SEE ALSO: Jessica Chastain talks ambition and male costars who are paid "seven times" their salary

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Amy Schumer is in talks to play Barbie for a new movie

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amy schumer

One of the biggest comedians in the business may be playing the most recognizable doll in the world. 

Amy Schumer is in talks to play Barbie in a live-action movie based on the toy for Sony, according to TheWrap

TV writer Hillary Winston is the latest screenwriter to take a shot at the project, which producers Walter F. Parkes and Laurie MacDonald led to secure the rights from toy manufacturer Mattel in 2014. But according to TheWrap, Schumer and her sister, Kim Caramele, will rewrite the script. 

The project currently does not have a director attached. 

"Barbie" is the figurehead of the Mattel dolls. The company has sold over a billion iterations of her in the last 50 years.

SEE ALSO: The 7 most shocking Scientology allegations we learned from Leah Remini's new show

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The best screen for multitasking is a luxury that comes with a hefty price tag

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LG ultrawide displyUltrawide displays are a luxury, not a necessity, but once you’re hooked it’s hard to go back to traditionally shaped screens.

I first saw an ultrawide display, an early LG model that I now own, a couple of years ago at the Consumer Electronics Show in Las Vegas. The absurdly elongated screen stood out even in the middle of the sensory overload of the showroom floor, and it’s one of the few times I've agreed with branding jargon — “ultrawide” seemed spot on.

Most televisions and computer screens purchased today are traditional widescreen displays, featuring a 16:9 aspect ratio. An ultrawide screen, however, extends that even further to 21:9, matching the ratio you'll see in most cinemas. It can all be a bit confusing, but the easiest way to think of it is this: Ever watch a movie and see black bars at the bottom? That’s because whatever you’re watching was filmed to match the aspect ratio of movie theater screens, not TV screens. Now imagine a display that chops off those black bars, perfectly fitting the screen's border around what you're watching.

Welcome to the world of ultrawide displays.

Throw in a curved display like LG’s 34UC98-W, and you have a multitasking powerhouse with enough screen real estate to give your email, internet tabs, spreadsheets, and social media feeds plenty of room to breathe. LG makes one of the best computer screens you could ask for, an unrivaled control center where everything is within view — if you’re willing to drop over a thousand dollars.

LG ultrawide

Movies: A true cinema display, right on your desk

Unless you're looking to hop on the 4K train, there's no better way to watch movies at your desk than with an ultrawide screen like the LG 34UC98-W. The 34-inch display is truly massive, and the subtle curve is perfect for immersion, striking the right balance so things don't feel warped.

Since this is a computer monitor and not a TV, it's important to note that viewing distance is important here: I wouldn't recommend a curved TV, for instance, since the viewing distance for a TV is far greater than a computer display, so the effect of the screen's curve is largely lost from the sofa. But when you're sitting at a desk, just a couple of feet from the screen, the monitor's sheer size and curve ups the immersion levels quite a bit, with the added benefit of the curve gently bringing the edges of the screen closer to view.

Ultrawide monitor InterstellarWhen you find a movie that's available in this ultrawide format (it can be pretty hit or miss, but iTunes and Amazon Video have plenty), the lack of black bars is refreshing. For scenic movies like "The Lord of the Rings" or "Interstellar," the effect is visually arresting.

Unfortunately, as traditional widescreen displays in the 16:9 format are the most common, sources like Netflix won't extend to the edges of the screen, which results in a set of vertical black bars on each side. I find it a lot easier to ignore the black bars on the sides of the screen versus at the top and bottom, but it's still not ideal, and it's certainly something to factor in when considering dropping this amount of money.

Ultrawide monitor WestworldAnother thing to keep in mind is that movies and TV shows are increasingly available in 4K resolution, or 3880 by 2560 pixels, which favors the traditional 16:9 aspect ratio over 21:9. The LG 34UC98-W that I've been testing for the past few months features a 3880 by 1440 resolution, for example, so it's missing some of the vertical resolution of traditional 4K displays. There's still not a ton of movies and TV shows available at that resolution, however, and streaming a high resolution like that requires paying extra for Netflix, and, if you want uninterrupted playback, oftentimes a faster internet connection too.

But for those who have built up a library of movies on iTunes, or those willing to use some third-party software to get Blu-Rays to fill up the entire width of the screen, the most cinematic experience is still an ultrawide display. 

Productivity: A multitasker's dream

Ultrawide monitor productivityI mostly tested LG's 34UC98-W monitor at work, using it as my daily driver to keep an eye on the news, communicate with the team on Slack, edit articles, and manage the appearance of the tech page. Usually, that would mean a lot of tabs and awkwardly re-sized windows if I want to split things up, but with an ultrawide display, you can enjoy multiple tabs open simultaneously at full-width.

This also eliminates the need for a multiple monitor setup, which I've always avoided due to my distaste for bezels and splitting my attention across two different screens, and there's no "mouse jump" where your cursor gets momentarily lost as you scroll across displays.

Ultrawide monitor Spotify+RedditInstead, it's just one central strip of real estate, and one that can be re-arranged to whatever task you're doing.

If you choose to go fullscreen though, you'll test the responsive design of whatever app or program you're using, and it usually means there's a lot of empty spaces.

Ultrawide monitor Spotify

Creative professionals who work in video and photo editing will also be pleased to know the LG 34UC98-W is an IPS display offering a sRGB color gambut of over 99%, along with a contrast ratio of 5 million to 1. In normal terms, that means highly accurate colors and an incredibly high level of detail.

Gaming: An unparalleled window into virtual worlds

Another area where the LG 34UC98-W shines is in gaming, where your field of view is expanded horizontally to give a seriously wide window into the game world. Combine that with the extra immersion of the curved display, and you'll be hard-pressed to find a better experience without making the jump into the game with a virtual reality headset.

When I purchased LG's older ultrawide model for at home, gaming wasn't a key factor in my decision, as I mostly use my Oculus Rift. But when testing out the LG 34UC98-W, I played everything from "Overwatch" to "Grand Theft Auto V," and it's truly stunning. It's easy to ignore the screen's boarders with a screen this size, and with the high-resolution WQHD display, games look incredibly sharp.

Ultrawide monitor Overwatch

Aside from the added immersion levels of the ultrawide aspect ratio, the expanded field of view can often give you a bit of competitive advantage depending on the game, as you can see when people are creeping up on you from the sides. Not all games allow this, but most modern games do, you'll just need to make sure you have a beefy enough computer to power the pixel-dense screen.

A luxury that's tough to forget

Nobody needs an ultrawide display like the LG 34UC98-W, but once you try one, you'll want to keep it. Sure, you can flip between tabs or use multiple monitors to increase your screen real estate, but after getting used to having everything readily available at a glance, it's tough to return to a traditional widescreen. You get spoiled by the advantages it offers, and the disadvantages of other screens become more readily apparent.

The LG 34UC98-W retails for an eyebrow-raising $1199, which easily puts it into the luxury and professional power-user category. From the curved design to the pixel-rich screen, you're paying for some of the most cutting-edge display tech out there, which comes at a hefty premium.

If you're looking to splurge, however, you'll be hard-pressed to find a better computer screen. This thing is truly gorgeous, and I'm not looking forward to working without it.

You can take a deeper dive into the features and specs of the LG 34UC98-W, including where to buy it, right here.

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Here's every actress who's played Jackie Kennedy in movies and TV

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NataliePortman Jackie TIFFPlaying America’s most popular First Lady has been a regular job for many of Hollywood’s leading ladies. Natalie Portman is the latest actress to try on one of Jackie Kennedy's pillbox hats in the critically acclaimed new biopic “Jackie,” out Friday — and she certainly won’t be the last. 

From Jaclyn Smith and Ginnifer Goodwin to Katie Holmes, here are all the women who have played the classy Jackie O on the screen:

SEE ALSO: The 30 best movie endings of all time, ranked

Jaclyn Smith in "Jacqueline Bouvier Kennedy"

In 1981 Smith fashioned Kennedy's famous pink attire in the Golden Globe-nominated biopic. The TV movie follows Jackie O's years working at a DC newspaper to her life in the White House with JFK. 



Sarah Michelle Gellar in "A Woman Named Jackie"

Long before she slayed vampires on "Buffy the Vampire Slayer," Gellar played a young Jacqueline Bouvier in the 1991 award-winning TV movie. 



Jill Hennessy in "Jackie, Ethel, Joan: The Women of Camelot"

Nominated for three Emmys, "The Women of Camelot" set out to expose what really went on in the private lives of the Kennedy women. 



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8 times the 'Westworld' TV show referenced the 1973 'Westworld' movie

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HBO's "Westworld" may be wrapping up its first season, but if you're still in the mood for humanoid robot mayhem you can check out the original 1973 film the series upon which the series was based. There are actually quite a few similarities between the two and some Easter eggs that were snuck into the show. Here's a look at some of the major things we noticed after watching both.

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The 14 worst Christmas movies of all time, according to critics

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Christmas with the Kranks 2004 5%

Nearly everyone has a favorite holiday movie that they watch each year, from classics like "It's a Wonderful Life" to modern Christmas comedies like "Elf." But then there are the holiday duds — the fruitcakes of Hollywood that some may love with an inexplicable guilty pleasure but others groan at whenever they come on.

We decided to check out Rotten Tomatoes and see what some of the lowest-rated holiday releases were.

Scroll down to see if your favorite — or your least favorite — made the list.

"Unaccompanied Minors" (2006): 31%

Based on the premise of a snowed-in airport filled with unattended children trying to fly home for the holidays, this movie is full of misbehaving children getting into shenanigans. Time Out critic Derek Adams said of the movie: "Irresponsible content notwithstanding, it's the low standard of filmmaking that really defies belief."

Source: Rotten Tomatoes



"Four Christmases" (2008): 25%

Starring Vince Vaughn and Reese Witherspoon, "Four Christmases" is the story of a couple whose plan to avoid the holidays with their family is ruined by a canceled flight. The dysfunctional family tropes play out in the film, but one critic found it "charmless and cheerless."



"I'll Be Home for Christmas" (1998): 23%

Ah, the glory days of Jonathan Taylor Thomas. This Disney original missed the magic, and Michael O'Sullivan of the Washington Post said that it was "too sophisticated for thumb-suckers, but far too stupid for anyone else."



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15 best picture nominees that you probably forgot but need to see

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little miss sunshine

In Hollywood, the holidays are just around the corner. No, not those holidays—Oscar season! The time of year when actors write impassioned letters to the Academy hoping for a nomination that will raise their profile and their paycheck. Did Bruce Vlanch not once quip “every time an actor wins an Oscar, an agent gets his wings?”

Seriously though, for all the hubbub about the Oscars, how many audience members remember the winners? For that matter, how many remember the movies that were nominated but didn’t win? Actually, the Oscars have a negative side effect: amid all the prestige and pomp, the nominees who don’t win get lost in the shuffle, sometimes even forgotten.

Like the films listed here. All received a Best Picture nomination, but lost to other—and in some cases, lesser—movies. That does not diminish the power, originality or magnificence of these nominees. All deserve to be seen, thus check out 15 forgotten best picture nominees worth seeing!

SEE ALSO: These are the top 50 movies of the year, according to Google

15. "Reds"

Warren Beatty won his only Oscar for directing this epic about American communists during the rise of the Soviet Union. In a way, Reds, like Scorsese’s Raging Bull the year before, marks the end of the “New Hollywood” era of director-driven films telling intimate, personal stories. Beatty, being a sort of old school Hollywood/New Hollywood hybrid, makes a sort of hybrid film—a David Lean-style epic with the political and personal elements that make New Hollywood so interesting. It’s also a hybrid in another sense: it combines extensive documentary footage with a staged narrative.

Reds tells the story of John Reed, the American leftist writer who covered the Russian Revolution, and remains the only American buried in the Kremlin. Much as the Baby Boomer generation once espoused idealism only to have their dreams quashed by war and the wealthy, so did Reed’s dream of a worker’s paradise shatter under the yolk of corruption and violence. Reds also features an Oscar-winning powerhouse performance from Maureen Stapleton as anarchist Emma Goldman, who helps keep the movie from becoming a dusty historical epic.



14. "The Piano"

Anna Paquin won an Oscar at age 11 for her performance as a haughty young daughter to Holly Hunter’s mute pianist. Hunter and writer/director Jane Campion also took home the gold statue in this weird, haunting tale of sexuality and love.

The Piano concerns Ada, a Scottish woman sold to a husband in New Zealand. Ada hasn’t spoken since the age of six, and finds her new husband cruel and repressive. After her husband gives away her precious piano to his friend Baines, Ada and Baines begin an unlikely romance—though always watched by Ada’s daughter, Flora. Flora’s mischief begins to get out of control, and the repressive society threatens to quash Flora and Baines’ budding affection.

The Piano will still alienate some viewers for its unusual style and heavy story. That said, audiences craving something fresh, personal and original will delight in the film and its rich performances by Hunter, Paquin and Harvey Keitel.



13. "Hannah and Her Sisters"

Critics in 1986 speculated that Woody Allen might take home the Pulitzer Prize for drama for his screenplay to Hannah and Her Sisters. In the end, Allen just took home the Oscar for Best Screenplay, and today, the film looms over Allen’s filmography as his signature masterpiece. Given the director’s output, that says something.

With a cast that includes Allen, Mia Farrow, Carrie Fisher, Barbra Hershey, Max Von Sydow, Diane Wiest and Michael Caine—the latter two of which also took home Oscars—Hannah and Her Sisters chronicles the tumultuous lives of three sisters, played by Farrow, Hershey and Wiest over the course of two years. The intricacies of the plot make it difficult to describe in brief, though suffice it to say, the movie packs a hell of an emotional wallop with some unforeseen twists. The cast gives impeccable performances across the board, and as usual, Allen’s dialogue plays like poetry.

Hannah and her Sisters is at once dark and uplifting, full of layered characters and genuine feelings that set it apart from most other movies. Quite simply, it feels real.



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