Quentin Tarantino has a new movie in the works — here are his other films, ranked from best to worst

Since his feature debut "Reservoir Dogs" came out in 1992, Quentin Tarantino has established himself as one of the greatest filmmakers of all time — if not always the most varied.

From "Pulp Fiction" to "Django Unchained," his style is defined by a mix of shocking violence and humor.

Tarantino is currently at the beginning stages of a new project, said to be about the Manson Family murders. 

According to The Hollywood Reporter, Brad Pitt and Jennifer Lawrence have been approached to star. Deadline also says Tarantino has approached "Suicide Squad" star Margot Robbie to take on the role of Sharon Tate, the star who was murdered by Manson's followers.

Here is a ranking of all of Tarantino's films, starting from the worst and going to the best. But hey, even the worst ones are still pretty great:

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9. "Death Proof" (2007)

Tarantino’s worst outing as a director requires some context. “Death Proof” was one half of “Grindhouse” (the other was Robert Rodriguez’s “Planet Terror”), an experimental double feature meant to recreate the experience of the schlocky B-movies of the 1970s.

The problem with “Death Proof” is that it feels half-assed. Tarantino is so good with homage, but this still feels lazy. Tarantino’s signature long conversations don’t work for a film this short. Even with a stellar ending and a great performance from Kurt Russell, “Death Proof” feels like the first time in Tarantino’s career when he didn’t just go for it.

8. "Jackie Brown" (1997)

“Jackie Brown” had the unfortunate timing of being Tarantino’s follow-up to “Pulp Fiction.”

No matter what he did next, it was bound to not live up to monumental expectations. When “Jackie Brown” first came out in 1997, people missed one of Tarantino’s smartest and most understated movies, if not his most thrilling.

7. "Django Unchained" (2012)

“Django Unchained” is Tarantino’s most polarizing work to date, and for good reason. It asks a lot of challenging questions about slavery and whether it gives the right answers is entirely up to the viewer.

"Django" is boosted by some strong work from Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, and Samuel L. Jackson. Maybe the biggest thing running against it is that, at two hours and 45 minutes, it would have been much better if the filmmakers trimmed it down by about an hour.