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Disney boss Bob Iger admits that recent Star Wars movie production was 'too much, too fast'

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  • Not long after the release of his memoirs, "The Ride of a Lifetime", Chief Executive Officer of Disney Bob Iger admitted the company "might've put a little bit too much in the marketplace too fast".
  • In the interview with the New York Times, he also hinted that head of Lucasfilm Kathleen Kennedy is "trying really hard" to make sure involving a female director in a Star Wars film happens at some point.
  • In a separate interview with The Evening Standard, director Rian Johnson mentioned that a schedule for the new Star Wars trilogy was being discussed.
  • Visit Insider's homepage for more stories.

Not long after the release of his memoirs, "The Ride of a Lifetime" and just ahead of the long-awaited launch of Disney's new streaming service, Disney+, Chief Executive Officer of Disney Bob Iger has been busy conducting interviews.

In one interview with the New York Times, the chief admitted while discussing Star Wars said he thought that the company "might've put a little bit too much in the marketplace too fast".

The last Star Wars movie, "Solo: A Star Wars Story", released at the end of 2018, substantially underperformed - it brought in a meager $400 million in revenue, which resulted in the studios deciding to slow down the production rate of the saga's films.

Bob Iger

He caveated this, however, saying: "I think the storytelling capabilities of the company are endless because of the talent we have at the company, and the talent we have at the company is better than it's ever been, in part because of the influx of people from Fox."

Director Rian Johnson discussed the schedule for the new Star Wars trilogy in an interview with British newspaper The Evening Standard.

"The truth is they're still figuring out their schedule, their game plan, so if it's possible for me to squeeze in another film before or while working on that, I will," said Johnson.

star wars

It may well be, however, that Disney will try and involve a more diverse team of executives and leaders in its upcoming Star Wars films.

"You have to look one level down, because we've done a lot," Iger said, but he admitted that it was disappointing that those directly reporting to him "are lacking" in diversity.

Read more:Disney CEO Bob Iger roasted Twitter for its 'nastiness' and says its abuse problem is why an acquisition never happened

He hinted that head of Lucasfilm Kathleen Kennedy is "trying really hard" to make sure involving a female director in a Star Wars film happens at some point.

For those too impatient to wait for the next film, "The Mandalorian" will be available on the Disney+ platform from November 12 in the US, as will the next movie in the saga, "Star Wars: The Rise of Skywalker", due for release on December 18.

Join the conversation about this story »

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The 19 best movies on Hulu you can stream right now

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Best movies on Hulu 4x3

  • For $5.99 a month (ad-supported) or $11.99 a month (ad-free), you'll gain access to Hulu's entire streaming catalog of TV shows, original series, and movies.
  • While movies often aren't the main draw of Hulu, their collection of over 2,500 titles is nothing to sneeze at.
  • Standout new releases include "Sorry to Bother You,""Annihilation," and "A Quiet Place."
  • Cult classics like "Pretty in Pink,""The Goonies," and "The First Wives Club," also make our list of top picks.

Though Hulu originally launched as a platform aimed at bringing TV series to streamers, over the years it's built a sizable movie catalog, with over 2,500 titles across genres. I've often viewed it as a nice supplement to my Hulu subscription rather than what drives me to the platform, which is still its collection of my favorite shows and its host of original content. But as I was browsing their film selection, I kept finding myself saying, "I didn't know Hulu had this," and adding it to my watch list. It's become clear to me that I have to turn my attention away from watching "30 Rock" over and over again and start streaming some of Hulu's vast movie collection. Clearly, I have a lot of content to catch up on.

If you don't yet have a Hulu subscription, the ad-supported option remains the most affordable streaming service on the market at $5.99 a month, or you can upgrade to the ad-free option — which I think is well worth it— for $11.99 a month. Each tier gives you access to Hulu's entire movie catalog as well as the entire collection of shows and Hulu Originals. And it couldn't be easier to stream. The Hulu app already comes installed on most smart TVs, so all you have to do is log in and start streaming. If you don't have a smart TV, any streaming box or stick will have Hulu available as an app as well. Or you can always stream on your phone or laptop.

Once you get set up, here's our list of the best movies available for streaming on Hulu. Now that it's getting cold, you have the perfect excuse to stay in and get cozy. There's just too much good content to go outside.

Pretty in Pink

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Andie sticks out like a sore thumb at her upper-class high school, but when the rich, popular heartthrob asks her to prom, their romance is met with suspicion from her best friend and ridicule from his clique. Molly Ringwald, Jon Cryer, and Andrew McCarthy star in this 1986 "Brat Pack" cult classic film written by John Hughes.



A Quiet Place

John Krasinski is most prominently known as Jim from "The Office," but "The Quiet Place"— which he co-wrote, directed, and starred in — is one of the films that helped him break away from his lovable goofball sitcom persona. This critically acclaimed thriller sees him alongside his real-life spouse Emily Blunt trying to survive in a world where monsters with ultrasensitive hearing attack anything that makes noise. Watch this one now before the sequel comes out in March 2020.



Juno

This Oscar-winning coming of age comedy written by Diablo Cody follows a quirky, independent teen as she navigates pregnancy. Though largely recognized as the breakout film for both Ellen Page and Michael Cera, the supporting cast is also stacked with notables like Allison Janney, Rainn Wilson, Jason Bateman, and Jennifer Garner.



RBG

In the past several years, Ruth Bader Ginsburg has undergone a transformation from legal expert and Supreme Court Justice to the Notorious R.B.G. — an unlikely pop culture icon and feminist superstar. This critically acclaimed documentary tracks the groundbreaking, revolutionary career of a political powerhouse and her rise to prominence as the second-ever female Supreme Court Justice.



Shrek

This 2001 animated movie has spawned pop culture references and memes by the dozen. Mike Myers voices the angry ogre who becomes a reluctant hero when he's tasked with saving a kingdom of fairy tale characters from its evil, overbearing king. Eddie Murphy plays Donkey, the lovable but dumb sidekick that Shrek definitely never asked for.



Annihilation

The Shimmer, a quarantined zone where all life inside it is violently mutating, is expanding, and scientist Lena is tasked with determining why. But her secondary mission might be more pressing: discover what happened to her husband inside the mysterious area. This sci-fi thriller starring Natalie Portman and Oscar Isaac is a visual and auditory intellectual roller-coaster ride.



The Goonies

If you're looking for '80s nostalgia exemplified, this is the movie for you. A group of misfit kids discovers an ancient treasure map and sets out to find the bounty, but they have to outwit a group of hapless criminals who want the fortune for themselves. This cult classic stars young Corey Feldman, Sean Astin, and Josh Brolin.



Training Day

It's Jake's first day on the police force, and he's assigned to partner with decorated veteran narcotics officer Alonzo Harris. But as they try to take down the gangs and dealers of South Central LA, Jake quickly discovers Alonzo's tactics are unsavory at best and highly illegal at worst. Denzel Washington's portrayal of the corrupt cop earned him a Best Actor Oscar, while Ethan Hawke's turn as the LAPD rookie earned him a Best Supporting Actor nom.



The Matrix Trilogy

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It's safe to say that "The Matrix" trilogy changed the face of pop culture forever. I bet you've tried to dodge something thrown at you like Keanu Reeves dodged bullets, or you've referred to something weird as a "glitch in the matrix." All three films in the acclaimed sci-fi trilogy from the minds of the Wachowski sisters are available to stream.



Ocean's Eleven

Danny Ocean is a criminal mastermind, and on the day he gets out of prison, he's already orchestrating his next grift. He assembles a crack team of expert con artists to pull off a huge casino heist, and he only steals from those who deserve it. George Clooney, Brad Pitt, and Matt Damon lead a star-studded cast in this first in a trilogy of heist films. The sequels — "Ocean's Twelve" and "Ocean's Thirteen"— are also available to stream.



Child's Play

A young boy receives an innocent doll for his birthday. Little does he know, it's possessed by the soul of a serial killer who's out for revenge on his enemies. The first in a franchise that spawned six sequels, a comic book series, and countless merch, this classic '80s horror film will leave you side-eyeing any creepy toys you might have lying around.



I, Tonya

This dark comedy mockumentary follows the infamous scandal in which Tonya Harding's ex-husband hired a goon to attack and injure rival ice skater Nancy Kerrigan prior to the 1994 Olympics. Harding's involvement in the plot ruined her career and got her banned from ice skating competitions for life. Margot Robbie earned an Oscar nomination for her portrayal of Harding, and the great Allison Janney took home the Oscar for Best Supporting Actress for her role as Harding's mother



The Color Purple

This critically acclaimed film based on Alice Walker's novel of the same name follows Celie, a Southern black woman in the 1920s, as she deals with racism, sexism, and abuse throughout her life. It's Shug Avery, a strong and independent lounge singer, who shows Celie her self-worth and empowers her to stand up to her abusers and find strength of her own. Whoopi Goldberg, Oprah Winfrey, and Danny Glover star in this incredibly moving and powerful film.



Julie & Julia

Two true stories intertwine in this charming comedy. Julia Child is the iconic TV chef credited with bringing French cuisine to the American masses; Julie Powell is the blogger who's undertaken the daunting project of cooking all 524 recipes in Child's famous cookbook in 365 days. Meryl Streep and Amy Adams star in this last movie made by Nora Ephron, the legendary filmmaker behind hits like "When Harry Met Sally" and "Sleepless in Seattle."



Spaceballs

This over-the-top parody from the mind of Mel Brooks follows a space ranger's quest to kidnap a princess and hold her hostage in return for her home planet's air supply. When he falls in love with her, he must choose where his loyalties lie. Starring Bill Pullman, John Candy, and Rick Moranis, this goofball film lampoons "Star Wars,""Star Trek,""Alien," and other beloved sci-fi films, making it one of Brooks's most popular movies.



Sorry to Bother You

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Cash is finding his job as a telemarketer to be nearly impossible until his coworker lets him in on the secret to success: "white voice." When he excels at the skill, he rises quickly through the ranks only to discover the company he's working for has a freakish dark side. This sci-fi satire takes on race, class, and labor themes in a truly unique way.



The First Wives Club

After their friend's suicide, three best friends are reunited after many years apart. After realizing that all three of their husbands have left them for younger women, and that their friend took her life after learning her own husband did the same, they decide to team up to get revenge on their exes. Bette Midler, Goldie Hawn, and Diane Keaton star as the jilted ex-wives in this hilarious and empowering comedy.



Disney's Hercules

Baby Hercules is stolen from Mount Olympus and grows up on Earth without realizing he's an immortal demi-god. After losing his inmortality, he must earn it back along with his right to live on Mount Olympus by defeating a series of mythical monsters. With Disney+ on the horizon, this animated musical may not be on Hulu for long, so watch it while you can.



Four Weddings and a Funeral

This charming British rom-com follows a group of friends through a tumultuous year in which they attend — you guessed it — four weddings and a funeral. Hugh Grant stars as the lovable but awkward Charles, as he chases love interest Carrie through a series of missed connections, one-night stands, marriages, engagements, and breakups.



15 gifts for "Aladdin" fans — from a themed LEGO set to pair of Jasmine-inspired ears

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  • A live-action remake of the OG Disney classic "Aladdin" was released earlier this year to much success (though the 1992 original can't be beat).
  • One of my favorite things about both movies are the extravagant scenes — the Sultan's palace overlooking Agrabah, the magic carpet flying over the city, and of course, all the musical numbers. 
  • With the release of the live-action movie on DVD and digital download, I rounded up 15 gifts for every kind of Aladdin fan, from a LEGO set featuring the Sultan's palace to a makeup collection by M.A.C. 

One of my favorite things about "Aladdin"— both the new live-action remake and the 1992 original — are the extravagant sets, props, and costumes. From the Genie emerging from his shiny gold lamp whenever he's beckoned to the magic carpet flying over Agrabah, it's hard to resist reaching into the movie theater or TV screen for a souvenir, like Aladdin and Abu. 

The live-action movie just came out on DVD and digital download, so you can relive that shining, shimmering magic whenever you want. Or you can pick up your own Genie lamp, or sweep a Jasmine-inspired blush on your cheeks, or build a LEGO version of the Sultan's palace in your living room. 

Whether you like the new live-action remake of "Aladdin" or know all the lines to the original animated movie, you'll want every single item here.  

Here are 15 great gifts for yourself or anyone who's a fan of Aladdin:  

A pair of ears for the Jasmine fan

Jasmine Ear Headband, $27.99, available at shopDisney

Forget the Minnie ears — the "Aladdin" superfan will want a pair of Jasmine-inspired ears. This pair also has a sequinned-covered bow with designs from the magic carpet. 



A Genie lamp

Genie Lamp Replica, $89.99, available at shopDisney

This limited-edition replica of the genie lamp from the 2019 "Aladdin" looks just like the real thing.  



Jasmine-inspired makeup

Disney Aladdin Collection by MAC, starting at $19, available at Macy's

Let Jasmine inspire your next makeup look with the Disney Aladdin Collection by M.A.C. The line includes shimmery gold blush, pink gloss, and an eyeshadow palette with smoky and neutral shades.



A palace for your cookies

Sultan's Cookie Jar, $64.95, available at shopDisney

Give your cookies the royal treatment with this regal cookie jar inspired by the 1992 version of the Sultan's palace.



A LEGO palace set

LEGO Disney Aladdin and Jasmine's Palace Adventures Building Kit, $24.86, available on Amazon

If you know an Aladdin fan who also happens to love LEGOs, then this kit is a dream. This 193-piece kit has everything they'll need to build a palace complete with a magic carpet, Jasmine, and Aladdin.  



A souvenir T-shirt from Agrabah

Aladdin ''Agrabah'' T-Shirt, $24.95, available at shopDisney

You don't need a passport to get your Agrabah merch. This adult-sized T-shirt is a subtle ode to the two movies.



A cute Abu costume

Abu Costume for Baby, $34.95, shopDisney

How adorable is this Abu costume made for babies? If you happen to know a little monkey, this cozy costume is a great gift for Halloween, or let's be honest, just bedtime.



A colorful Dooney & Bourke bag

Aladdin Foldover Crossbody Bag by Dooney & Bourke, $178, available at shopDisney

Show off how much you love the animated movie with this Dooney & Bourke crossbody bag. It has slots for your cell phone, credit cards, and more, and the strap is adjustable and removable too. 

 



A Genie backpack

Genie Mini Backpack by Loungefly, $80, available at shopDisney

If you're looking for a whimsical way to carry your stuff, this Genie backpack is the answer to your wishes.



Their own magic carpet

Safavieh Collection Inspired by Disney's Live Action Film Aladdin, starting at $21.67, available at Overstock

The subtle style of this blue and gold area rug brings the magic carpet style in a way that doesn't scream Disney.



A genius way to keep your milk and sugar

Disney Aladdin Ceramic Sugar and Creamer Set, $16.99, available on Amazon

Keep your creamer chilled and your sugar at the ready with this genius set. 

 



A Cave of Wonders light

Aladdin Cave of Wonders Mood Light, $14.99, available at Target

Let the Cave of Wonders light up your room with this battery-operated lamp.



A behind-the-scenes book

"Aladdin: Far From Agrabah Book," $16.95, available at shopDisney

This is a new novel by bestselling author Aisha Saeed that's meant to complement the live-action movie and tells the story of Aladdin and Jasmine's magic carpet ride.  



A copy of the new live-action movie

"Aladdin," $19.99, available on Amazon

The DVD and digital download comes with bonus features such as bloopers and behind-the-scenes footage.



A copy of the animated classic

"Aladdin," $24.99, available at Target

If you're going to watch the new live-action version of "Aladdin," you should carve out some time to rewatch the 1992 version too. This DVD comes with digital download code, and a sing-a-long version of the movie too.



The worst movies every actor from 'The Office' has been in

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  • NBC's "The Office" is a hit sitcom that featured an expansive cast of talented actors including Steve Carell, Jenna Fischer, John Krasinski, and more. 
  • Although many of the show's cast members have gone on to have successful careers in the entertainment industry, the stars of the sitcom have been in a few movies that critics hated.
  • For example, Steve Carell, who played Michael Scott on "The Office," had a minor role as a waiter in the critically panned comedy "Curly Sue," which is his lowest-rated film on Rotten Tomatoes. 
  • John Krasinski, who played Jim Halpert on "The Office," starred in the rom-com "License to Wed" (2007), his worst movie to date, per critics. 
  • Visit Insider's homepage for more stories.

NBC's "The Office" is a hit comedy series that people still stream today. And although many of the show's cast members have gone on to work on a variety of big films, not all of these flicks have been a hit with critics. 

Here are the worst movies that the cast of "The Office" has appeared in, based on critic scores on Rotten Tomatoes. Keep in mind that this list was accurate at the time of publication but is subject to change. 

Oscar Nunez played Lorenzo in "Fred: The Movie" (2010).

Critic Score: 0%

On "The Office," Oscar Nunez played Oscar Martinez, a meticulous accountant who puts up with Angela's short temper and Kevin's crass humor.

While "The Office" was still on the air, Nunez played Lorenzo in "Fred: The Movie," a film about the silly life of YouTuber Fred Figglehorn (Lucas Cruikshank).

The comedy has been called "boorish" and "grating" by film critics. 

"Even young fans of the online shorts will find the concept stretched perilously thin," wrote critic Richard Jordan of Total Film. "And if your eardrums don't break, your spirit certainly will."

 



Craig Robinson appeared in "Father of Invention" (2011).

Critic Score: 0%

Craig Robinson played warehouse worker Darryl Philbin on "The Office," and later had a role in the comedic drama "Father of Invention" as the very smitten Jerry King.

With a 0% on Rotten Tomatoes, "Father of Invention" was completely panned by critics who called it "predictable" and "banal."

"Colorless exposition and a lack of imagination or wit stall 'Father of Invention' at the starting gate," wrote Variety critic Ronnie Scheib.



John Krasinski starred in "License to Wed" (2007).

Critic Score: 7%

In the romantic comedy "License to Wed," John Krasinksi put Jim Halpert's Dunder-Mifflin business attire aside to play Ben Murphy, a man set on marrying his fiancée (Mandy Moore) at her family church.

Unfortunately, the church's pastor (Robin Williams) makes them go through outrageous hoops to secure a wedding at the chapel.

Critics panned the film and largely blamed the poor score on its outlandish, "creepy" premise. 

"It's exactly what it looks like from the commercials," wrote critic Christy Lemire for the Associated Press. "[It's] a one-joke movie, and that one joke isn't even funny to begin with."

 



Brian Baumgartner also made a cameo in "License to Wed."

Critic Score: 7%

"The Office" alum Brian Baumgartner, who played Kevin Malone, made a cameo appearance in "License to Wed," too. 

His second lowest-rated film is "Four Christmases," a holiday comedy with a 24% on Rotten Tomatoes.



Mindy Kaling is yet another cast member who appeared in "License to Wed."

Critic Score: 7%

Mindy Kaling, who played Kelly Kapoor on "The Office," also appeared in the rom-com flop "License to Wed." 

Some even dubbed this movie an "Office" party because of how many stars from the sitcom appeared in it. 



Angela Kinsey was a real estate mogul in "Furry Vengeance" (2010).

Critic Score: 7%

Although she also had a minor role in " License to Wed," Angela Kinsey, who played a cat-loving accountant on "The Office," appeared in another low-scoring film called "Furry Vengeance."

In the movie, housing developer Dan (Brendan Fraser) is enlisted by real-estate moguls Neal (Ken Jeong) and Felder (Angela Kinsey) to destroy a rural Oregon forest and turn it into a mall. In retaliation, the local forest animals fight back.

Critics panned the film for being humorless and for having a thin premise. 

"People often ask reviewers to choose the worst film of the year so far," wrote London Evening Standard critic Derek Malcolm. "At last I have a cast-iron candidate."

Read More: 14 surprising things you probably didn't know about 'The Office'

 



Jenna Fischer played Alli in "Are You Here" (2014).

Critic Score: 8%

After playing shy-receptionist-turned-brazen-businesswoman Pam Beesly, Jenna Fischer starred alongside Owen Wilson, Zach Galifianakis, and Amy Poehler in "Are You Here" in a minor role as Alli.

Although the film had an all-star cast of comedians, critics panned it, calling it "frustrating" and "disappointing." 

"Everything about 'Are You Here' feels like a bottom-drawer script idea that was put together too casually and carelessly," wrote The Globe and Mail critic Liam Lacey



Phyllis Smith was a flight attendant in "Alvin and the Chipmunks: Chipwrecked" (2011).

Critic Score: 11%

Phyllis Smith played Phyllis Vance, a quiet salesperson with a surprisingly sharp tongue, on "The Office."

After "The Office" she did a memorable turn as Sadness in the hit Pixar film "Inside Out" (2015), but her lowest-rated film is also an animated flick — "Alvin and the Chipmunks: Chipwrecked" (2011).

In the family-friendly animated film, Smith made a brief appearance as a flight attendant.

The chipmunk comedy has an 11% on Rotten Tomatoes, with critics dragging it for its lazy writing and humor. 

"'Chipwrecked' will probably be a winner with families that have small children, but older children may squirm and adults will find themselves wondering how such a promising premise got so quickly beached," wrote Movie Metropolis critic James Plath. 



Steve Carell was Tesio in "Curly Sue" (1991).

Critic Score: 13%

Long before he played oddball boss Michael Scott on "The Office," Steve Carell made a small appearance in "Curly Sue" (1991) as a waiter named Tesio.

"Curly Sue" was received poorly by critics, who called it "mindless." 

In her scathing review of "Curly Sue," critic Harriet Waugh wrote for The Spectator: "Everyone who has to do with it — particularly John Hughes, the writer, director and producer of it — should be ashamed."



BJ Novak voiced Baker Smurf in "The Smurfs 2" (2013).

Critic Score: 14%

BJ Novak was not just a writer for "The Office" but also an actor; he played temp-turned-corporate-boss Ryan Howard, who ended up being a temp again by the end of the show.

In the follow-up to the first live-action "Smurfs" movie, Novak once again voiced Baker Smurf.

Critics called out the sequel for lacking charm and being "obnoxious." 

"'The Smurfs 2' probably isn't any worse than you might expect," wrote critic Bruce Ingram for Chicago Sun-Times. "On the other hand, it's almost certainly not any better."



Ellie Kemper played Tess in "Sex Tape" (2014).

Critic Score:16%

After embodying ditzy yet lovable Erin Hanover on "The Office" for several seasons, Ellie Kemper played friendly neighbor Tess in "Sex Tape."

In the comedy, Jason Segel and Cameron Diaz star as a married couple that panics when they realize that their sex tape has begun to spread online.

Critics gave the movie a 16% on Rotten Tomatoes, saying that the laughs were few and far between and the plot was hard to believe. 

"Even for a farce, the situations stretch credulity far beyond the breaking point," critic Lou Lumenick wrote for the New York Post



Kate Flannery was Norma in "Helicopter Mom" (2015).

Critic Score: 17%

On "The Office," Kate Flannery starred as Meredith Palmer, a supplier-relations representative with a complicated relationship with men and alcohol.

Flannery later went on to play a supporting role in "Helicopter Mom," a movie that centers around neurotic Maggie's (Nia Vardalos) smothering relationship with her son (Jason Dolley).

In the film, Flannery played Norma, Maggie's friend.

The comedy has been ripped apart on Rotten Tomatoes, with critics attributing their low ratings to the movie's uneasy humor and nonsensical script. 

"Breziner's disjointed film is rife with storylines that go nowhere and characters that briefly appear and disappear without explanation," critic Christine Ziemba wrote for Paste Magazine



Ed Helms was an estranged son in "Father Figures" (2017).

Critic Score: 17%

On "The Office," Ed Helms played Andy Bernard, a paper salesman who never stops talking about his alma mater Cornell.

In "Father Figures," Helms and Owen Wilson played brothers who try to track down their father, a man they once believed to be dead.

Critics ripped the film apart for its lack of direction and slow-moving plot. 

"Director Sher shows no special affinity for comic pacing or enlivening dialogue scenes, so the movie just plods from scene to scene, building no momentum,"critic Robert Abele wrote for The Wrap.



Rashida Jones played Debbie in "Cop Out" (2010).

Critic Score: 18%

Rashida Jones had a brief but influential role on "The Office" as Jim's short-lived girlfriend Karen Filippelli.

In the buddy-cop comedy "Cop Out," Jones acted alongside Tracy Morgan and Bruce Willis.

Generally, "Cop Out" was called "slow" and "humorless" by critics.

"It's just not very funny — despite the all-too-apparent struggle to deliver verbal fireworks, there's something immovably sluggish and inert about it," wrote critic Andrew Pulver for The Guardian



Rainn Wilson played a professor in "Transformers: Revenge of the Fallen" (2009).

Critic Score: 20%

On "The Office," Rainn Wilson was Dwight Schrute, an overachieving beet farmer with a lover for selling paper.

In 2009, Wilson played Professor Colan in "Transformers: Revenge of the Fallen," an action film in the "Transformers" franchise that was dragged by critics for having overblown action and a messy plot. 

"I would like to think that even if I was 14, either in body or spirit, I would still find this film an impossibly, incomprehensibly overlong and cacophonous bore," film critic Peter Rainer wrote for The Christian Science Monitor.



Leslie David Baker was Lieutenant Banning in "The Happytime Murders" (2018).

Critic Score: 24%

Leslie David Baker is best known for playing crossword-loving curmudgeon Stanley Hudson on "The Office."

But his lowest-rated film on Rotten Tomatoes is the puppet-filled murder caper "The Happytime Murders," in which he played Lieutenant Banning.

The star-filled comedy was dragged by critics for being overstuffed and humorless. 

"This premise holds some promise, but 'The Happytime Murders' is a joyless, soulless slog, wasting the efforts of co-stars Melissa McCarthy and Elizabeth Banks," wrote Slate critic Inkoo Kang



Paul Lieberstein played the lead in his directorial debut "Song of Back and Neck" (2018), his best and worst film.

Critic Score:69%

On "The Office," Paul Lieberstein played Michael's rival Toby Flenderson, an innocuous human-resources representative who desperately tried to maintain a semblance of professionalism at Dunder Mifflin.

Lieberstein has a limited filmography, so his lowest-rated film also happens to be his best-rated: his directorial debut "Song of Back and Neck."

In the film, Lieberstein played the lead character Fred, a man who suffers from neck and back pain and finds relief from an acupuncturist.

The film has is the only certified fresh film on this list, due to mixed yet generally favorable reviews from critics. 

"An alumnus of 'The Office' has created a rom-com with the cringe-worthy situations, the quirky comic banter and a killer running gag worthy of the sitcom that made him," praised critic Roger Moore for Movie Nation



Apple will reportedly bring its feature-length films to theaters before its own streaming service (AAPL)

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Apple's got a major new streaming service scheduled to launch this November, named Apple TV Plus

Like Netflix and Hulu, Apple's TV Plus is a subscription-based streaming video service that Apple plans to populate with its own produced content. But it sounds like some of that content — movies — may head to the silver screen before showing up on Apple's own streaming service.

That's according to a new report in the Wall Street Journal from Trippe Mickle and Erich Schwartzel published on Friday morning.

apple tv plus

Those movies could appear in theaters for weeks ahead of landing on Apple TV Plus, according to the report.

Read more:Apple's streaming service, Apple TV Plus, will cost just $5 a month when it launches November 1

Apple has only unveiled a handful of its movie projects for Apple TV Plus.

One such project is a film named "The Banker" starring Samuel L. Jackson and Anthony Mackie; another, named "Hala," was picked up by Apple after a big debut at the Sundance Film Festival earlier this year. It tells the story of "a high school senior struggling to balance being a suburban teenager with her traditional Muslim upbringing."

Amazon releases some of its original film productions in theaters before they arrive on Amazon Prime Video, and Netflix is planning to do the same with 10 upcoming films, but the relationship between streaming services and traditional theaters has been hot and cold

Apple has yet to comment on the report, and didn't respond to a request for comment as of publishing.

SEE ALSO: Apple's streaming service, Apple TV Plus, will cost just $5 a month when it launches November 1

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14 of Melissa McCarthy's best movies of all time

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  • Melissa McCarthy has been in dozens of movies throughout her acting career, but audiences have loved some of her roles more than others. 
  • She earned an Oscar nomination for her performance in the hit comedy "Bridesmaids" (2011).
  • Audiences and critics enjoyed "Can You Ever Forgive Me?" (2018), where McCarthy plays a celebrity profiler who commits serious crimes. 
  • Visit Insider's homepage for more stories.

In addition to having memorable roles on TV shows like "Gilmore Girls" and "Mike and Molly,"Melissa McCarthy has been in nearly 30 films since she started acting in the 1990s.

To see which of her films audiences love best, Insider rounded up her top-scoring movies using data from Rotten Tomatoes. Keep in mind that the scores were accurate at the time of publication but are subject to change. 

Here are some of Melissa McCarthy's best movies of all time, according to audiences.

McCarthy is a ghoul-hunting physicist in "Ghostbusters" (2016), a reboot of the classic 1984 film.

Audience score: 50%

In the 2016 reboot of the classic 1984 paranormal comedy, the eponymous New-York-based ghost hunters have been reenvisioned as an all-female team.

McCarthy stars as physicist Abby Yates alongside actors Kristen Wiig, Kate McKinnon, and Leslie Jones. 

Critics ultimately enjoyed the film more than audiences did, giving it a positive 74% rating on Rotten Tomatoes.

 



She plays a woman named Catherine in "This Is 40" (2012).

Audience score: 50%

McCarthy makes a small appearance in "This Is 40," Judd Apatow's sequel to "Knocked Up."

Taking place five years after the original, this film centers around a husband and wife (Paul Rudd and Leslie Mann) who are about to enter the fourth decade of their lives. 






In "Identity Thief" (2013), McCarthy plays a con artist.

Audience score: 53%

A con artist, Diana (McCarthy), scams a man named Sandy (Jason Bateman) into revealing all of his personal information.

When he learns that she's been using his identity to live large in Miami, he heads to Florida to chase her down. 



She plays Cici, a college student, in "Pumpkin" (2002).

Audience score: 56%

"Pumpkin" tells the story of a sorority girl (Christina Ricci) who falls in love with a boy with a disability while volunteering.

McCarthy has a small role as a student in this indie film. 



McCarthy has multiple roles in "The Nines" (2007).

Audience score: 61%

"The Nines," a sci-fi thriller, stars Ryan Reynolds as three different men (an actor, a TV writer, and a video-game designer) who are trying to decipher unusual events in their lives. 



The actress has a small part in "Life As We Know It" (2010).

Audience score: 61%

Holly (Katherine Heigl) and Eric (Josh Duhamel), who can hardly stand out each other, are forced to live together to care for their friends' daughter when her parents (Christina Hendricks and Josh Lucas) are killed in a car crash. 



McCarthy stars in the food-focused mockumentary "Cook Off!" (2007).

Audience score: 68%

In this mockumentary, McCarthy plays a contestant in a cooking contest who is competing for a generous cash prize.

Audience members were certainly more entertained by "Cook Off!" than critics, who mostly panned the film

 



She plays a mobster’s wife in "The Kitchen" (2019).

Audience score: 69%

Set in the 1970s and based on the DC-Comics series of the same name, this crime film is about the wives (McCarthy, Tiffany Haddish, and Elisabeth Moss) of three mobsters who start doing the mafia's dirty work themselves when their husbands are arrested by the FBI. 

"The Kitchen" truly divided critics and audiences, with some reviewers describing it as an "unsalvageable mess" and "a collection of genre tropes." 



She portrays a Boston cop in "The Heat" (2013).

Audience score: 71%

"The Heat" is a comedy that co-stars McCarthy and Sandra Bullock as a Boston cop and FBI agent who team up to stop a drug lord. 



McCarthy earned an Oscar nomination for her performance in the hit comedy "Bridesmaids" (2011).

Audience score: 76%

The oft-quoted hit comedy follows the misadventures of maid of honor Annie (Kristen Wiig), bride-to-be Lillian (Maya Rudolph), and a coterie of offbeat bridesmaids.

Some of Hollywood's funniest women, such as McCarthy (who earned an Oscar nomination for her role in this flick) and Ellie Kemper, round out the ensemble. 

Read More: 16 of the best wedding movies of all time

 



McCarthy made her feature-film debut in "Go" (1999).

Audience score: 78%

"Go," a crime comedy, focuses on the interconnected stories of people in Los Angeles who meet in the city's drug-fueled underground scene. 



She plays a single mother in "St. Vincent" (2014).

Audience score: 78%

"St. Vincent" is a comedic drama about a single mother, Maggie (McCarthy), who relocates to Brooklyn with her 12-year-old son, Oliver (Jaeden Martell).

Working long hours, Maggie entrusts her neighbor Vincent (Bill Murray), a cranky Vietnam veteran, with watching Oliver after school.



She's an undercover agent in "Spy" (2015).

Audience score: 78%

Susan (McCarthy), a CIA analyst with a desk job, goes undercover to find her partner (Jude Law) and save another agent (Jason Statham) in this espionage spoof.

McCarthy received a Golden-Globe nomination for her role in this film.



McCarthy plays a real-life celebrity profiler in "Can You Ever Forgive Me?" (2018).

Audience score: 81%

Based on the memoir of the same title, "Can You Ever Forgive Me?" is a biographical drama about celebrity profiler Lee Israel (McCarthy), who attempts to revive her writing career by forging and stealing letters from dead playwrights and authors.

Lauded for her performance, McCarthy's turn as Israel garnered her both Oscar and Golden-Globe nominations.

Read More:



6 of the best and 6 of the worst movies released this year, so far

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  • Many memorable films have already been released this year and some have had rave reviews and others have been panned by critics and audiences alike. 
  • Movies like "Booksmart" and "Us" were lauded by critics for being stand-out films in their respective genres.
  • Other films, like "After" and "Dark Phoenix," yielded low scores from critics and audiences across the board.
  • Visit Insider's homepage for more stories.

2019 is slowly coming to an end, but several films released this year have already made a lasting impact on critics and audiences in both positive and negative ways. 

Here are the six of the best and six of the worst movies that have been released in 2019, so far. As a note, the scores listed throughout the piece were accurate at the time of publication but are subject to change. 

"Booksmart" has been lauded as a whip-smart​ teen comedy.

Critic Score on Rotten Tomatoes: 97%

Metacritic: 84/100

IMDb: 7.3/10

As graduation day approaches, two straight-A students realize that the colleges they worked so hard to get into also accepted their slacker classmates. Suddenly insecure about not having had enough fun in high school, the two best friends try to cram four years of deviant behavior into one night. 

Directed by Olivia Wilde, "Booksmart" was praised by critics for being a breath of fresh air in the teen comedy genre.

"'Booksmart' manages to be inclusive and progressive, without being precious about anything or sacrificing an ounce of humor," Emily Yoshida wrote in her rave review of the film for Vulture. "It feels at once like a huge moment for the teen movie genre, and also effortless, effortless enough to make one wonder what took so long."



Disney Pixar's "Toy Story 4" has been dubbed a film full of depth and heart.

Critic Score on Rotten Tomatoes: 97%

Metacritic: 84/100

IMDb: 8.1/10

When preschooler Bonnie makes a toy of her own at school, Woody makes it his mission to take the fear-addled "Forky" under his wing and show him what it means to be a toy while making some major realizations of his own.

All in all, critics and audiences seemed to agree that Pixar's fourth and final venture in the "Toy Story" series takes beloved characters to new heights with dazzling animationFilm reviewers gave the film high praise for its achievements in design and animation as well as its emotional story.

"Simultaneously deeper and more artistic, 'Toy Story 4' opens with the concept of how such plush and plastic companions adjust to the idea that their duty to their original child might be done," wrote Variety critic Peter Debruge.



Many feel "Avengers: Endgame" is a testament to just how amazing superhero films can be.

Critic Score on Rotten Tomatoes: 94%

Metacritic: 78/100

IMDb: 8.6/10

The Marvel Cinematic Universe comes to a sweeping climax with "Avengers: Endgame." After their crushing defeat at the hands of Thanos in "Avengers: Infinity War" the remaining Avengers attempt to bring back fallen heroes or risk losing them forever. 

Many critics called the film a well-earned, emotional conclusion to 10 years of Marvel pictures, noting how the film ended with an impact while still leaving the door open for the next phase of movies.

"The Russo brothers' poignant, powerful finale more than lives up to the hype: It's a thrilling conclusion and a deeply emotional exploration of loss and love, duty and honor, friendship and family," wrote critic Sandie Angulo Chen in her review for Common Sense Media.

Read More: A guide to the 21 Marvel movies leading up to 'Avengers: Endgame'



"Us" is a high-stakes horror film that audiences and critics seemed to be blown away by.

Critic Score on Rotten Tomatoes: 93%

Metacritic: 81/100

IMDb: 6.9/10

Jordan Peele's horror movie "Us" follows a family of four as their vacation is derailed by strangers who look eerily identical to them. Things go from creepy to horrifying as their counterparts begin trying to kill off their look-alikes one by one. 

With a strong performance from Lupita Nyong'o and inventive world-building, "Us" took critics and audiences by surprise, with many praising Peele as a talented director.

"[Peele is] his own director, with a vision that melds comedy, horror and social commentary,"wrote Roger-Ebert critic Monica Costello. "He has a visual style that's luminous, playful and delightfully unnerving."



Many were impressed with the emotional power of "The Last Black Man in San Francisco."

Critic Score on Rotten Tomatoes: 93%

Metacritic: 84/100

IMDb: 7.5/10

In Joe Talbot's feature-film debut "The Last Black Man in San Francisco," Jimmie Fails (played by the actor of the same name) attempts to reclaim his grandfather's house in the heart of San Francisco. The emotional drama chronicles Jimmie's journey through the past and how the changing city has influenced him and his closest friend. 

The independent drama was heralded by many critics as one to watch this awards season. "'The Last Black Man in San Francisco' is an indelibly beautiful story of love, family and loss in America from two childhood friends turned filmmakers,"film critic Manohla Dargis wrote for The New York Times.



"Rocketman" dazzled viewers with rich musical numbers.

Critic score on Rotten Tomatoes: 89%

Metacritic: 69/100

IMDb: 7.4/10

In the musical biopic "Rocketman," Taron Egerton portrays legendary musician Elton John as he goes through adolescent struggles with drug addiction and fame. The colorful movie is filled with musical interludes that pay homage to John's prolific discography. 

Critics and Elton-John fans alike found camaraderie in the bright, vibrant film. "As John's music itself reminds us, even the most familiar tune can take on new resonance," reporter Justin Chang wrote his review of the film for NPR. "In the movie's most aching moments, Elton seems to be singing not to others but to himself, as if to suggest that even the most universal pleasures often have intensely personal roots."



Many reviewers feel that "Dark Phoenix" is a low point for the X-Men series.

Critic Score on Rotten Tomatoes: 23%

Metacritic: 43/100

IMDb: 5.8/10

Part of the long-running X-Men film franchise, "Dark Phoenix" stars Sophie Turner as Jean Gray, a young mutant in the care of Charles Xavier (James McAvoy). After a terrible accident, Jean's powers grow beyond her control and her friends grapple with how they can stop her without killing her in the process. 

The X-Men franchise has had its fair share of highs and lows with critics and some reviewers felt this film missed the mark, saying even the final battle was a bust.

"The final battle takes place aboard a moving train that feels like it's headed nowhere," wrote film critic Adam Graham for the Detroit News. "At this point, it's a perfect metaphor for the 'X-Men' series."



Many audiences felt "Men In Black International" failed to deliver an inspiring​ story.

Critic Score on Rotten Tomatoes: 22%

Metacritic: 38/100

IMDb: 5.6/10

In the fourth installment of this sci-fi franchise, Chris Hemsworth and Tessa Thompson star as two agents working alongside alien partners as they try to save their organization from a double agent.

But even likable leads like Hemsworth and Thompson couldn't save the intergalactic comedy "Men in Black International" from poor reviews. Many critics have panned the movie for having an uncreative plot.

"In this uninspired MiB reboot, the effervescent biplay between Hemsworth and Thompson almost compensates for the vacuum where a live-wire alien invasion comedy should be," film critic Peter Travers wrote for Rolling Stone. "Almost being the operative word."



Many felt disappointed by the teen romance movie "After."

Critic Score on Rotten Tomatoes: 18%

Metacritic: 30/100

IMDb: 5.4/10

Based on the popular romance novel by Anna Todd, "After" tracks young student Tessa (Josephine Langford) as she falls for Hardin (Hero Fiennes Tiffin), her mysterious classmate. As their attraction for each other ramps up, Tessa begins to question the security of her own relationship and must decide if she should throw everything away for the chance to be with Hardin. 

Many critics expressed disappointment in the plot and central characters of "After," questioning if anything valuable could actually be taken away from the film's main message.

"[It's the] kind of dispiriting effort that thinks it's scratching an itch for masochistic young girls, but primarily suggests that romance, desire, and sexuality aren't worth genuinely exploring," wrote Robert Abele for The Wrap.



"Hellboy" has been panned by critics and many reviewers felt it was an unnecessary reboot.

Critic Score on Rotten Tomatoes: 17%

Metacritic: 31/100

IMDb: 5.3/10

"Hellboy" stars "Stranger Things" lead David Harbour as the titular superhero. The darkly reimagined reboot follows Hellboy as he grapples with an ancient sorceress hell-bent on destruction. 

Some reviewers questioned whether the new "Hellboy" should have been made at all, especially given the highly rated earlier film adaptations by Guillermo del Toro.

Writer David Sims of The Atlantic called this new reboot "an R-rated slog that's heavy on bad attitude and creative dismemberments" and said it was "completely missing the humane core of Mignola's original story."



Some critics said the science-fiction film "Replicas" is "terrible" and filled with plot holes.

Critic Score on Rotten Tomatoes: 9%

Metacritic: 19/100

IMDb: 5.5/10

When his family is killed in a horrific car accident, scientist William Foster (Keanu Reeves) pushes the boundaries of science and technology to bring his family back to life.

Many critics have panned this "astonishingly terrible" sci-fi thriller, oftentimes questioning the ethics and plot of the film. 

"The filmmakers manage to avoid every potentially interesting choice for far dumber, and far more inexplicable, conclusions," wrote film critic Katie Walsh in her review for the Los Angeles Times. "The film around Reeves is so poorly rendered — literally, the CGI is half-baked — and the film nose-dives hard in the third act."



"The Professor" is a drama that many critics found to be quite dull.

Critic Score on Rotten Tomatoes: 10%

Metacritic: 37/100

IMDb: 6.7/10

When Richard, played by Johnny Depp, receives a critical diagnosis for a terminal illness, the college professor decides to throw the rulebook out the window when it comes to teaching. The comedic drama also stars Zoey Deutch, Rosemarie DeWitt, and Ron Livingston in supporting roles. 

Many critics felt the film was quite confusing and overall fairly bothersome. "The movie frequently makes no sense from a purely human perspective,"wrote Reel Viewers film critic James Berardinelli. "It becomes increasingly annoying as the story rolls on."



Will Smith's 'Gemini Man' is breaking all animation rules — and it could be the future of Hollywood

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  • "Gemini Man," an upcoming film starring Will Smith, is an example of how far digital filmmaking can go.
  • The movie, directed by "Life of Pi" visionary Ang Lee, uses advanced technology to create a fully computer-animated, 23-year-old version of Smith that appears alongside his real self.
  • To create Smith's virtual character, the animation team looked at his traits in previous roles, including in the "The Fresh Prince of Bel-Air" and "Independence Day".
  • While the new technology is groundbreaking for cinema, it can have more negative implications in real life — the rise of so-called "Deepfakes" of celebrities and politicians has become a real concern.
  • Visit Business Insider's homepage for more stories.

Will Smith plays two characters in the upcoming movie "Gemini Man": A 53-year-old elite hitman, Henry Brogan, and a younger 23-year-old version of himself, called Junior. The plot: Henry Brogan is suddenly being pursued by a mysterious young agent who can apparently foresee every single one of his moves.

What makes this film stand out is that Smith — who just turned 51 himself — is not made to look 23 through the use of heavy make-up or conventional Hollywood anti-aging technology. Instead, Smith's younger version of himself has been fully computer animated.

This is a new type of special effects technology that is setting a trend for the entire industry. At least, that's what the company behind the animations is hoping for.

Their hopes could soon become a reality because the animation is actually very convincing. Many film critics, who have already seen the film, agree: director Ang Lee has done a great job.

The script for the movie has been passed around Hollywood for more than a decade

The script for Gemini Man has been circulating around Hollywood for about 20 years. Until now, filmmakers agreed that the technology was not developed enough for the film to be produced.

Several actors — including Harrison Ford, Jon Voight, and Mel Gibson — all had their names attached to the project at one point. But the movie didn't move towards production until it came to director Ang Lee in 2017, who has already made a name for himself by directing films such as the Oscar-winning "Life of Pi"— another film known for its excellent visual effects.

Read more:Will Smith says he fasted for 10 days and no longer needed a blood-pressure medication he'd been taking for a decade

Paramount Pictures commissioned Weta Digital, a New Zealand company founded by Peter Jackson, to animate "Gemini Man." Weta Digital has been responsible for the visual effects in the "Lord of the Rings" series, Marvel films such as "Avengers: Endgame" and the "X-Men" series. Stuart Adcock, head of the Facial Motion Department, is convinced that the new technology they used in "Gemini Man" is a big step for the film industry.

Several movies like 'Independence Day' were used to re-create Will Smith's 23-year-old self

To develop the technology, Jackson's team analyzed and processed Will Smith's entire facial and skin structure. But that's not all: they also took elements of Smith's younger self from films such as "Independence Day,""Bad Boys" and even his most-well known role in the 90s sitcom "The Fresh Prince of Bel-Air"— all of which were used to recreate Junior.

 

"Gemini Man" simulates Will Smith's skin structure on several levels and creates a network of muscle movements. 

Adcock spent months dealing with difficult questions about how the human body responds, like how fluid in the eyes moves when someone blinks or moves their face, or long does it takes for the blood to flow back into someone's forehead after they frowns.

"This was the only way we could be sure that the animated Will Smith looked realistic," Adcock said in an interview with Business Insider. It took him about a year to make the face of 23-year-old Smith react authentically. Since then, Adcock hasn't stopped paying attention to people's facial expressions — even in his private life.

To create the most authentic animation possible, years of detailed research had to be put in

But the animator still faces a major problem: the audience does not often tolerate mistakes. "We've evolved to be experts in the most subtle things in the face that tell you this person's bullshitting you or this person's sick," Bill Westenhofer from the "Gemini Man" visual effects team told Wired.

"If we don't make our effects convincing, it's disturbing to look at them."

Convincing audiences is also only possible if the actors are excellent, says Adcock.

And it opens up new possibilities for cinema: "The technology can make it possible for good actors to play more than just roles that are their own age."

Read more: This Hollywood school trains aspiring special-effects artists

Animating the young version of Will Smith ended up costing almost twice as much as the actor's annual salary, the production claims.

Smith was ranked tenth on the "Forbes" list of the best paid actors this year — proving that actors, at least, are not at immediate risk of losing their jobs to computer-animated "competition" thanks so the high costs.

But visual effects are playing an increasingly important role. At the IFA exhibition in Berlin this September, it was Adcock who was flooded with questions on stage — not Smith or Lee.

The dark side of the realistic technology

The new technology, however, raise questions about how it can be used outside of film.

In the last few years, so-called "Deepfakes" have been on the rise — videos of celebrities or politicians that look deceptively real, but are not. If technology falls into the wrong hands, what would the consequences be, especially in the current climate of false reporting and political uncertainties?

Read more:This Is What Movies Would Look Like Without Visual Effects

It could also create something of a crisis for actors.

"The ability to create photo-realistic characters, to digitally de-age actors or digitally resurrect performances from actors who have passed, raises some serious issues," said actor, director, and animation expert Andy Serkis in an interview with Screen Daily. Serkis is most well-known playing  Gollum in "The Lord of the Rings" movie adaptations.

"When your performance becomes data it can be manipulated, reworked or sampled, much like the music industry samples vocals and beats. If we can do that, where does the intellectual property lie? Who owns the authorship of the performance? Where are the boundaries?"

But Adcock prefers to set his focus on the fictional world. "There will always be people who use technology for criminal purposes. It's the same with Photoshop," he said. "That's no reason not to develop them for films." He is aware that there are still some legal and ethical questions to be clarified behind the new technology.

"Gemini Man" will be shown in US cinemas from October 11.

SEE ALSO: The 10 Most Groundbreaking Special Effects In Cinema

Join the conversation about this story »

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What do real-life hustlers think of the hit movie 'Hustlers'? 3 former exotic dancers weigh in

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  • The film "Hustlers" hit theatres in early September and has become a critically acclaimed box-office smash.
  • But what do real life hustlers think of the $33 million-dollar success? We asked three women who worked as exotic dancers during the same era to reflect on the film's accuracy.
  • "There were moments ... that just rang so true," said one woman who worked as a stripper in Seattle from 2012 to 2015.
  • "I wish I could say that this film humanized dancers to the general public, but I'm afraid it has not," said another, who was an exotic dancer in New York City and Las Vegas from 2000 to 2010.
  • Visit Business Insider's homepage for more stories.

Director Lorene Scafaria's film, "Hustlers," is a box-office smash and a darling of professional film critics.

Washington Post's Ann Hornaday described the movie — which follows a crew of high-end strippers who band together to turn the tables on their wealthy Wall Street clients — as a "funny, naughty, entertaining kick in the pants." New Statesman declared it "a refreshing example of changing attitude towards sex work," while The Nation called it a "subversive joy," featuring women rebels who critic Joshunda Sanders characterize as "quite literally stealing back their power." 

But what do real life hustlers think of the $33 million-dollar success? We asked three women who worked as exotic dancers during the same era to reflect on the film's accuracy, as well as their time on stage. Here's what they said.

 

 

SEE ALSO: My husband paid me $15 an hour to be a stay-at-home mom. Here's what I learned.

Maggie McMuffin

Worked as a stripper in Seattle from 2012 to 2015

There were moments [of the movie] that just rang so true. The montage of lap dances and then getting shut down. Management being sh*tty. Bouncers saying they won't help if you don't tip. 

I've seen people point out that the movie shames [dancers who sell] "extras" and full-service work (strippers who sleep with clients). I'm torn on that because I don't want civilians to see that and think the only heroic strippers are the ones who don't give blowjobs. On the other hand, a lot of strippers are really sh*tty to workers who do that, so how it was presented felt like an accurate representation. 

I took a lot of joy in watching sex workers flat out steal from a-hole men. It was a power fantasy for me and I think a lot of us dancers. [Sex workers] are already criminals [in most people's eyes, so I guess I'm not as offended by us being presented as criminals if we're also being presented as real people. 

It did need to be more gay though. I don't buy that a group of sex workers that big didn't contain a single queer person.

The club [where I worked] had some of the highest house fees in the country. It was already hard to work in for lots of reasons but then there was this few months where people weren't coming in. There wasn't much money for anyone. And management was just pumping us for more fees, talking about raising house fees, yelling at us for not working harder, good security guys were leaving. I knew if I didn't leave I was going to wind up hating my job. I transitioned to full-service sex work (both independently and in legal brothels). I've been doing that since, along with some porn and sugaring here and there. I like my job. It's right for me. It's also just part of my life. It's one of the least interesting things about me, but it's the thing I find myself explaining to people the most. 

Read more:A legal sex worker shares what it's really like to work in a brothel



Essence Revealed

Worked as an exotic dancer in New York City and Las Vegas from 2000 to 2010

I liked that there were jokes in there that only strippers would get. The dressing room sisterhood scenes were great. Showing how much we pay out to work is something many outsiders are unaware of. 

People only think about the fact that we take off clothes and make money. I don't think people believe me when I say that I got paid to mostly sell conversation and flirty attention. The job is a sales job. The product was flirty conversation and attention with dancing thrown in. I preferred talking to them. My goal was how long can I keep my dress on in the VIP Room, so I liked seeing the scenes of them dancing for the customers still wearing their dress. Sometimes, there was no engaging [sexually] — only conversation. This was one of the hardest parts of the job — doing everything you can to stay within your own boundaries. 

I retired when the investment bankers lost their jobs, and expense accounts. It was no longer lots of money for just conversation and air dances. These had been my products, and they were no longer in demand. I don't knock anyone's hustle, I just know where my personal boundaries at that time were. 

That scene where Destiny tries to get a retail job, and couldn't even get that, hit so hard. That sh*t is real. People think I freelance just because. It's because I have no resume that commands the kind of base pay I'd find acceptable for 60-80 hours of my week.

No one feels the need to be polite to strippers — not even the film's producers, because they had the club closed for two weeks without compensating the real strippers who were out two weeks' pay. I wish I could say that this film humanized dancers to the general public, but I'm afraid it has not.

 



Akynos

Danced in the Bronx in the mid-90s 

It was a very diverse group of characters as far as size and color, and I appreciated and respected them for doing that. But real strippers who have actually worked in these clubs know that that's a farce. In a club like Hustlers — which is a very high end, white club — you would never see two black girls working in this club. Not at the same time anyway. Especially the dark-skinned black girl — or a black girl who's hair is afroed and kinky? In a club like Hustlers, there's no way you would never actually see that. Usually they have a token black girl. 

And you would not see a fat girl. Maybe if she was white, and she had started out working there, and had been working there for a long time. Clubs like Hustlers, they're completely racist in how they book dancers. Someone like me— and I've tried this before, to come into clubs like that — they literally won't even let me walk in the door. Too short, too black, too fat — even when I was 30 pounds thinner, and younger. We know that was a lie, but I still appreciate them for giving fat and black women roles in this movie, because we do exist in this industry.

I did not work in a very high-end club. I worked in the trenches of the Bronx. A very famous club, but very hood. Lots of hip hop music. Lots of Latinos. Lots of black people. But as a black woman dancer I didn't really stand to make a lot of money most times because I was dark-skinned. It could be super challenging, which is why I ended up leaving. I couldn't compete with girls coming in — well, in the movies, they were selling $300 blowjobs, but in the clubs I worked at, they'd be coming in and doing shit for $50. At that time, I just wanted to dance.

Melissa Petro is a freelance writer living in New York.

 



'Abominable' wins the box office with a solid $21 million opening (CMCSA)

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  • DreamWorks Animation/Pearl Studios won the domestic box office for Universal with its animated movie "Abominable."
  • The movie brought in an estimated $20.85 million.
  • It's the seventh Universal title to win the domestic box office this year, which passes Disney to be the most of any studio.
  • Visit Business Insider's homepage for more stories.

Universal's DreamWorks Animation has teamed up with Chinese production company Pearl Studios to release the animated movie "Abominable," and the companies are cashing in on the collaboration. 

The cute tale of a magical yeti who with the help of a group of kids finds his way back home brought in $20.85 million domestically this weekend to win the box office. It has earned $10.2 million internationally.

The win for Universal marks the seventh for the studio in 2019, that breaks a tie with Disney for the most number one movies at the domestic box office (eight if you count the Focus Features win last weekend for "Downton Abbey," which is owned by Universal). It's also the third original film by Universal this year to top the domestic box office (the other two were "Good Boys" and "Us.")

Read more: Spider-Man will stay in the Marvel Cinematic Universe in a stunning reversal for Disney and Sony

This marks the first time DreamWorks has opened a movie in September, and it chose the right time to do it. With no other kid-focused titles in theaters (outside of "The Lion King," which has been in multiplexes since July), "Abominable" had no trouble finding its audience. And with a family-focused story set in Shanghai (plus many of the actors hired to do the voices being Asian), it checked all the boxes in delivering a culturally diverse property to audiences.

The motivation to go to theaters next week will be quite different when Warner Bros. releases the ultra-violent "Joker."

 

SEE ALSO: The top 9 shows on Netflix and other streaming services this week

Join the conversation about this story »

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Facebook now blocks people from sharing links to notorious piracy site The Pirate Bay (FB)

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  • Facebook no longer allows users to link out to The Pirate Bay, a file-sharing website notorious for enabling vast piracy of music, movies, and software.
  • When users attempt to link out to the site, a notification says, "Your post couldn't be shared, because this link goes against our community standards."
  • Links to The Pirate Bay appear to violate the "Respecting Intellectual Property" section of Facebook's community standards.
  • Visit Business Insider's homepage for more stories.

Facebook no longer allows its billions of users to post links to the world's most well-known website used for piracy, The Pirate Bay.

If you attempt to link out to the site in a post, Facebook intercedes and issues the following message:

Facebook blocks The Pirate Bay links

Until recently, links to The Pirate Bay were still allowed on the world's largest social media service.

File-sharing publication Torrent Freak noticed the change in the last few weeks in the wake of a spate of blocks of other popular websites used for piracy.

The Pirate Bay is notorious for hosting a massive, user-maintained index of torrents to pirated material: Movies, TV shows, music, and software, among other things. Rather than directly hosting the pirated files, Pirate Bay hosts torrents — a kind of data file that enables people with torrenting software to them download files directly from other users.

Torrenting itself isn't inherently illegal: It's a way of distributing file downloads across a variety of users that enables rapid file downloading without any one user footing the bandwidth bill. 

Read more: Facebook is overflowing with groups offering pirated films — and says it won't do anything about it

In that way, The Pirate Bay skirts the illegality of pirated intellectual property — users aren't downloading pirated material directly from The Pirate Bay, they're just downloading torrent files. Those torrent files enable users to download pirated material.

In the prompt on Facebook that stops users from sharing links to The Pirate Bay, it says links to the site "goes against our community standards." Though it's not explicitly clear, the standard this appears to violate falls under the "Respecting Intellectual Property" section, which states, "We are committed to helping people and organizations promote and protect their intellectual property rights. Facebook's Terms of Service do not allow people to post content that violates someone else's intellectual property rights, including copyright and trademark."

Representatives for Facebook and The Pirate Bay didn't respond to a request as of publishing.

SEE ALSO: Facebook is overflowing with groups offering pirated films — and says it won't do anything about it

Join the conversation about this story »

NOW WATCH: I cleaned my entire apartment with 4 of Amazon's highest-rated cleaning robots, but I could've done a much better job myself

Disney+: Everything you need to know about Disney's ad-free streaming service launching on November 12

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disney plus

  • Disney+ is the on-demand, ad-free streaming service that Disney fans have been waiting for. 
  • Its release date is on November 12, 2019. The streaming service costs $6.99/month or $69.99/year after a seven-day free trial. 
  • Subscribers will be able to enjoy TV and series from Disney, Pixar, Marvel, Star Wars, National Geographic, and 20th Century Fox. This content includes original programming exclusive to Disney+. 

A new streaming service is joining the ranks of Netflix, Hulu, Amazon Prime, and the many other services jostling for control of your TV. Disney+ will feature TV and movie content from names we're all well familiar with: Walt Disney Studios and Walt Disney Television. 

Learn more below about how the Disney+ streaming service works, including what shows and movies will be included, how much it costs, and when it launches. 

What is Disney+? 

Disney+ is an on-demand, ad-free streaming service created by The Walt Disney Company.

With Disney+, subscribers can watch thousands of Disney movies and series from their devices (smart TVs, phones, laptops, tablets, and gaming consoles). The service includes unlimited downloads so you can watch anywhere, anytime. 

Disney+ content will come from Walt Disney Studios' and Walt Disney Television's biggest names: Disney, Pixar, Marvel, Star Wars, National Geographic, and 20th Century Fox. 

Who should sign up for Disney+?

Disney+ is the perfect service for Disney fans, whether they're Marvel geeks or animation aficionados. It's especially suitable for families with children who want to immerse themselves in the vast world of Disney. 

If you're someone who always ends up searching for Disney shows and movies on another streaming service anyway, you might want to consider subscribing to Disney+ because it holds all that content in one convenient place.  

What shows and movies can I watch on Disney+? 

disney plus

In short, all of the Disney shows and movies that have already been released. You can cry through all four "Toy Story" movies, learn about the world around you through a Nat Geo documentary, and satisfy your comedic itch with an episode of "The Simpsons." You'll have access to classics like "Snow White" along with recent hits like "Black Panther." 

Disney+ will also include all-new, exclusive original programming, such as a "Star Wars" TV series focused on a Mandalorian bounty hunter, a retelling of "Lady and the Tramp" featuring Tessa Thompson and Justin Theroux, and a new perspective on the familiar objects in our lives through "The World According to Jeff Goldblum." The strong lineup of original Disney content alone could make a Disney+ subscription worth it. 

How much does Disney+ cost? 

Disney+ costs $6.99 per month, or $69.99 per year ($5.83/month). This low price includes hours of entertainment spanning many different genres and interests, and best of all, it's all ad-free. 

Before you commit to this cost, you get a seven-day free trial. 

When is the release date for Disney+? 

Disney+ is launching on November 12, 2019. In the meantime, you can sign up for updates on the Disney+ preview website. 

How does Disney+ compare to other streaming services?

While services such as Netflix and Hulu cast a wide net over movie and TV entertainment, Disney+ is much more focused and narrow in scope by revolving entirely around Disney content. Luckily, it doesn't actually feel that limited since Walt Disney Studios and Walt Disney Television create everything from animated kids' movies to action and sci-fi thrillers. At this point, it's difficult to find someone who isn't a Disney fan in some capacity — with Disney+, there's a movie or series for everyone. 

It's a major plus that Disney+ (for the time being) is launching with zero ads. We don't know whether that will change down the line, or whether it will add tiered ad pricing like some other streaming services, but in the meantime, we always appreciate ad-free streaming. 

At less than $10 a month, it's very affordable compared to major competitors. If you find the Disney content of other streaming services lacking, subscribing to Disney+ is an affordable way to fix that problem. 

Of all the major streaming services, it's also the most generous in the areas of multiple-device streaming and profile additions. You can stream on up to four devices simultaneously and add up to seven profiles. 

How do I sign up for Disney+?

You can sign up on the Disney+ website.

While you can sign up early, we recommend waiting because a bundled package with Hulu and ESPN+ will only be available once the service officially launches on November 12. This bundle will cost only $12.99 a month for all three services. Individually, the ad-supported version of Hulu is currently $5.99 a month, and ESPN+ is $4.99 a month. If you haven't explored the world of streaming services full yet, the bundle could be the perfect opportunity to do so for a competitive price. 

Join the conversation about this story »

Every single Brie Larson movie, ranked

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brie larson movie ranking

Although Brie Larson is known for being in some major 2019 Marvel hits (like "Avengers: Endgame" and "Captain Marvel"), she's actually been acting for years. 

To see where these movies stand, Insider ranked Larson's past films based on critic scores from Rotten Tomatoes. It's worth noting that the critic scores were up to date as of publication but are subject to change. 

Here are Brie Larson's films ranked from worst to best, per critic reviews.

A young Larson helped the owls in "Hoot" (2006).

Critic Score: 26%

Audience Score: 55%

This 2006 adaptation of the book by the same name, is "lacking energy and humor," according to the critic consensus on Rotten Tomatoes. In the movie, a group of kids are on a mission to save owl habitats.

Larson plays Beatrice "The Bear" Leep, a girl whose brother is trying to stop the destruction of these animals' homes. 



Larson is a journalist and author in "The Glass Castle" (2017).

Critic Score: 52%

Audience Score: 71%

Based on a true story, this film features Larson as Jeannette Walls, an author and journalist.

Jeannette had a very tumultuous upbringing with toxic parents and an unstable lifestyle and though she is able to bring herself up in the world, she grapples with her true identity.

The critics' consensus on Rotten Tomatoes is that the cast of this film is "hard-working," but that the movie's material is "fundamentally misguided." 



Larson made her directorial debut with "Unicorn Store" (2017) and she starred in it.

Critic Score: 63%

Audience Score: 42%

This is a special one on the list because the film stars Larson and it's her directorial debut. It was filmed in 2017 but first began streaming on Netflix in April 2019.

"Unicorn Store" is about Kit, a not-so-put-together adult who takes a temp office job when her art dreams seem to fall through. Samuel L. Jackson shows up in the film as The Salesman trying to get Kit a unicorn.

Per the Rotten-Tomatoes critics' consensus, the movie is best for those that enjoy "colorful whimsy" films.



"Free Fire" (2016) is an action movie that critics didn't totally love.

Critic Score: 69%

Audience Score: 52%

In this movie about an arms deal that backfires, Larson plays Justine, a businesswoman who's part of a black-market deal that results in a massive shootout.

Per the Rotten-Tomatoes critics' consensus, the film is a "spectacular parody— and biting critique — of the insanity of gun violence."



She's a photojournalist in "Kong: Skull Island" (2017).

Critic Score: 75%

Audience Score: 69%

In the film, Larson plays Mason Weaver, a photojournalist on an expedition to explore the recently discovered Skull Island, which houses a giant ape.

In their reviews, many critics commended the film's fast-paced storyline



She's the titular character in "Captain Marvel" (2019).

Critic Score: 78%

Audience Score: 54%

Larson plays the titular character in this Marvel film.

Per critics, the movie is packed with tons of action and humor. Sure, it doesn't havethe best scoring for a Marvel movie, but as far as origin stories go, the film seems to be a pretty solid foundation for what Carol Danvers has in store for the next phase of films.

Read More: The best and worst films 15 of your favorite actors have been in, according to critics



She's a famous ex-girlfriend in "Scott Pilgrim vs. The World" (2010).

Critic Score: 81%

Audience Score: 83%

Based on a comic book of the same name, "Scott Pilgrim" doesn't take itself too seriously, which is part of its appeal.

Larson plays Pilgrim's ex Envy Adams who used to be sweet before she was changed by fame. Many critics praised the film for being funny and unique



Larson makes viewers laugh in "21 Jump Street" (2012).

Critic Score: 85%

Audience Score: 82%

Bringing it back to another high-school character, Larson plays confident, funny, and naïve Molly, who Schmidt/Doug (Jonah Hill) falls for.

"21 Jump Street" is a comedy film that critics praised for its "balance of humor and heart." 



She plays a younger sister in "Trainwreck" (2015).

Critic Score: 85%

Audience Score: 66%

In this comedy, which was a pretty big hit at the box office at the time, Larson plays Kim, the very meticulous and responsible younger sister to Amy Schumer's character, Amy.

Many critics praised this film's use of the "classic rom-com formula." 

Read More: 11 things you probably didn't know about Brie Larson



Larson's a supporting character in "The Spectacular Now" (2013).

Critic Score: 91%

Audience Score: 76%

Starring Miles Teller and Shailene Woodley, "The Spectacular Now" features Larson as a supporting character.

In the coming-of-age drama, Larson plays the popular girl-next-door who is the original love interest of Teller's character, Sutter.

Many critics praised the premise of the film and the "fantastic performances" of its cast. 

Read More: I tried Brie Larson's superhero workout for a week and it made me feel amazing



She really made a name for herself with "Room" (2015).

Critic Score: 93%

Audience Score: 93%

Larson is the lead in this harrowing film about a kidnapped woman and her son who she gave birth to while she was in captivity.

This is also the movie that helped her win her Golden Globe for best actress in a drama motion picture.

The critical consensus on Rotten Tomatoes is that the film features "incredible work" by both Larson and Jacob Tremblay, the actor who plays her son in the film. 



She's one of many high-flying stars in "Avengers: Endgame" (2019).

Critic Score: 94%

Audience Score: 91%

The consensus from critics on Rotten Tomatoes is that this film is "exciting, entertaining, and emotionally impactful."

This conclusion to the "Infinity" saga and this era of MCU films brings together just about every single major Marvel film character to date and features Larson in her second movie as Captain Marvel.

Read More: 50 of the funniest, most searing movie reviews ever written



In "Short Term 12" (2013), Larson is a counselor.

Critic Score: 98%

Audience Score: 92%

In the film, Larson plays the lead character, Grace, who works at a facility for at-risk kids and supervises them to the best of her ability.

She also has to overcome her own trauma while working through theirs.

Per the critical consensus on Rotten Tomatoes, the film is an "emphatic, revealing drama that pulls audiences into the perspective of neglected youths." 



Kevin Smith says Harvey Weinstein cold-called him to dangle a 'Dogma' sequel a week before The New York Times published its exposé on the producer

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Kevin Smith Rich Polk Getty

  • Kevin Smith told Business Insider the last conversation he had with Harvey Weinstein in 2017, which happened to be a week before The New York Times published an explosive exposé about Weinstein's alleged sexual misconduct toward women for decades. 
  • Smith said Weinstein called him about getting his 1999 movie "Dogma" available again to the public; the movie, which Weinstein owns, has never been available for streaming.
  • Weinstein also suggested that they could make a sequel to the movie, Smith said. 
  • But after The New York Times story broke, Smith said he felt "sick to my stomach." 
  • A longtime defender of Weinstein, the writer-director felt that Weinstein only brought up "Dogma" so that Smith would more likely be a vocal supporter once the Times story came out.
  • To date, "Dogma" is the only Kevin Smith movie that is not available on a streaming platform.
  • "I don't know if that call even happened, and if it did, that there was any expectation other than making a creative business decision; it's what Weinstein was well know for," Weinstein's spokesman Juda Engelmayer told Business Insider.
  • Visit Business Insider's homepage for more stories.

Writer-director Kevin Smith is known for never being at a loss for words, but he admits he was taken aback when he said Harvey Weinstein called him out of the blue in the fall of 2017.

The two hadn't talked in almost a decade, following the box office disappointment of Smith's 2008 raunchy comedy "Zack and Miri Make a Porno," starring Seth Rogen and Elizabeth Banks, which Weinstein made through his The Weinstein Company.

And now here was Weinstein, who had launched Smith's career when he bought his debut feature "Clerks" in 1994 for then-Weinstein's Miramax, cold-calling him.

"I said, 'Hey, how are you?' And he goes, 'You know, we have 'Dogma,' I just realized, and we got to get it out there again,'" Smith recalled to Business Insider while promoting his upcoming movie "Jay and Silent Bob Reboot" (in select theaters starting October 15).

"Dogma," Smith's 1999 film starring Ben Affleck and Matt Damon as two fallen angels, has never been available on any streaming platform.

"I said, 'We do! People online are always asking where they can get it,'" Smith said. "And he then goes, 'You know, that movie had a big cast, we might even be able to do a sequel.' And I was like, 'Yeah man, right on. I might think about that.' And he was like, 'We'll talk.' And a week later The New York Times story breaks. I felt sick to my stomach."

"I don't know if that call even happened, and if it did, that there was any expectation other than making a creative business decision; it's what Weinstein was well know for," Weinstein's spokesman Juda Engelmayer told Business Insider.

"Someone using something you love to provoke a reaction"

Harvey Weinstein Kevin Smith John Shearer GettyIn October 2017, The New York Times ran an explosive account of Harvey Weinstein's alleged sexual misconduct towards women for decades. The revelations destroyed Weinstein's career as a producer in Hollywood and launched the #MeToo movement, in which other women began to speak out about their own experiences with sexual harassment.

Smith said after reading The New York Times story, he told someone who worked at Miramax about the call he got from Weinstein. According to Smith, that person said he got a similar call from the producer.

"He was starting to circle the wagons," Smith said of Weinstein, looking back on the phone call with the producer. "It was him looking to see who was a friend still because his life was about to shift completely. And I used to be a defense guy. I wrote a piece in Variety on how he's still got the edge when people would go after him like, 'Harvey's lost his touch.'"

Read more: The 20 best TV shows of 2019 so far, according to critics

In a 2004 editorial in Variety, Smith defended Weinstein following the release of Peter Biskind's book "Down and Dirty Pictures," which chronicled bullying and intimidation by Harvey Weinstein and his brother Bob to make Miramax a hit-making distribution and production company in the 1990s.

"I'd like to defend a man I respect, love, and would take a bullet for: the last great movie mogul,"Smith wrote of Weinstein in the editorial. 

But if Weinstein thought dangling a "Dogma" sequel in front of Smith would motivate the boisterous filmmaker to once more be at the producer's defense once the Times story broke, he was wrong, according to Smith.

"There are people who are the real victims here, but I have to be honest with you, I felt like it was someone using something you love to provoke a reaction," Smith said, who days after the Times story tweeted that he's "ashamed" Weinstein financed his films. (He's since donated money to the non-profit Women in Film.) 

Why you can never watch 'Dogma'

Dogma Lionsgate"Dogma" is the only Kevin Smith movie that has never been available on a streaming service.

The Weinstein brothers personally own the rights, after Disney, which owned Miramax in 1999, wouldn't let the company release it due to the controversy over the movie's treatment of Catholicism (the Weinsteins got Lionsgate to release it instead). Its home video rights, which predate streaming, have since lapsed and the Weinsteins have never made an effort to renew it, according to Smith.

The director said long before the cold call from Weinstein, he reached out to the producer asking if he would sell him back the movie. Smith never got a response.

"Of all the people who have gripes against that individual — whose name used to be so easier to say — mine is a minor one and doesn't come close to their real world issues," Smith said. "But the irony of having the one movie that's about faith and spirituality locked down because of the situation that takes it out of public view is not lost on me."

2019 marks the 20th anniversary of the release of "Dogma," which Smith is disappointed can't be celebrated properly because the movie is not available. Though he said there's always hope for when the movie turns 25.

"You know, it sounds like he's got legal bills," Smith said, referring to Weinstein's upcoming trial in January for rape and sexual assault charges. "That's an asset you can sell to somebody."

SEE ALSO: The top 9 shows on Netflix and other streaming services this week

Join the conversation about this story »

NOW WATCH: Alexander Wang explains how to wear all black without looking boring

The 17 most iconic looks from 'Mean Girls'

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  • Despite being released in 2004, the outfits from "Mean Girls" are still considered iconic today. 
  • From velour tracksuits to plaid miniskirts, the teen classic is filled with fashion trends that defined the early 2000s. 
  • Visit Insider's homepage for more stories.

Since hitting theaters in 2004, "Mean Girls" has remained an endlessly quotable film that captures what it was like to be a teenager in the early aughts — questionable fashion choices included. 

From tiny handbags to Juicy Couture tracksuits, the teen comedy is packed to the brim with early 2000s fashion trends that, despite disappearing from the shelves, have remained iconic to this day. 

Here are some of the most popular looks seen throughout "Mean Girls."

Janis Ian mastered the artsy grunge look.

Janis Ian's angsty aesthetic proved she was the complete opposite of the Plastics.

Her most iconic outfit includes a "Rubbish" shirt over a long-sleeved tee. She completed the look with a black skirt over striped leggings and high-top Converse sneakers. 



The Plastics welcome Cady in her first pink Wednesday look.

Unprepared for all of the Plastics' rules, including wearing pink on Wednesdays, Cady resorts to borrowing Damian's Lacoste polo. She completes the look with a pair of flare jeans and sneakers. 

This is a major difference from the Plastics, who don high heels, miniskirts, and small Louis Vuitton handbags that will give you flashbacks to the early 2000s. 

This first dose of the Plastics in all of their candy-colored glory was deliberate, according to the movie's costume designer, Mary Jane Fort. "If [a kid] goes into a candy store, and looks at the brightest, shiny one, it may taste horrible, but they will be attracted to the thing that looks the best. So that played into how they were plastic, so to speak."



Regina's mom wears her "cool mom" Juicy Couture sweatsuit.

As the group of friends heads back to Regina George's mansion after shopping, Cady is introduced to Regina's mom (played by Amy Poehler) who is wearing a decidedly age-inappropriate pink Juicy Couture sweatsuit with a lace-embellished white tank top underneath.

Juicy Couture's velour tracksuits were ubiquitous by 2004, but it was the way Poehler played the character (even abiding by the Plastics' pink on Wednesdays rule) that made this look so iconic.  



Cady's first strut down the hallway as a Plastic is the ultimate style statement.

Cady traded in her drab flannels for high heels and miniskirts to blend in with the Plastics.

After getting a makeover from her new friends, Cady walks down the school hallway wearing a pastel plaid miniskirt paired with a coordinating tank top and jacket. She completed the look with a colorful Louis Vuitton purse and pink pumps. 



Regina wears a glam pajama set as she sets up a three-way call attack on Cady.

Most people wear sweats or old college shirts to bed, but not Regina George. The leader of the Plastics looks chic in a coordinating pink pajama set complete with her initial.

And of course, she can't forget the monogram necklace, an accessory she's seen wearing throughout the entire film. 



Gretchen put an edgy spin on her usual preppy style in a Burberry miniskirt and "royal punk" tee.

Though the girls often dressed in coordinated looks, they each had standout style moments throughout the movie.

Gretchen Wieners' best look was a red "royal punk" slogan tee paired with a belted Burberry pleated miniskirt. The top was tied in the back to give the outfit a bit of edge.

Fort told MTV that when it came to styling Gretchen, she "went back to a more nostalgic time, almost a '50s style, with her little skirts and kept her not quite as provocative as Regina."



Regina starts a new fashion trend after Janis cuts two holes in her shirt.

Although it's not a trend the average person would rock, Regina George made a statement by shamelessly wearing her tank top after Janis Ian cut it up. The queen bee completed the unique look with a purple bra, black miniskirt, and black pumps. 

Read more: Rita Ora channeled Regina George from 'Mean Girls' and wore a top with 2 holes in it



The Plastics' Halloween costumes were equally over-the-top, including Regina's bunny look.

Much to the chagrin of her father, Regina wears a sparkly silver bunny outfit with white feather detailing, knee-high white satin boots, and of course, pink bunny ears. 

Mary Jane Fort, the film's costume designer, told Nylon that the Halloween looks were her favorite, adding that "Rachel [McAdams] as the bunny was the most intense."



Gretchen Wieners wore a skintight catsuit.

Dressed as Catwoman, Gretchen Wieners showed up to the Halloween party wearing an all-black rubber outfit with small cat ears. She completed the look with a pair of black high heels. 



And Karen Smith dressed as a mouse, duh.

Although it wasn't obvious to anyone else, Karen dressed as a mouse. She accessorized her simple black slip with a pair of fuzzy ears. 



Cady went all out and dressed as an "ex-wife."

Unlike the rest of the Plastics, Cady didn't appear to get the sexy costume memo, instead opting for a scarier look. Dressed as a zombie "ex-wife," Cady wore a wedding gown splattered with blood, a long black wig, and a set of unflattering teeth. 



The Plastics pushed the envelope at the talent show in their Santa outfits.

For their annual talent show performance of "Jingle Bell Rock," the Plastics wore coordinating Santa outfits, complete with bedazzled Santa hats, red leather miniskirts, black knee-high boots, and black gloves.

Fort told Nylon that she didn't want the Santa outfits to "be trashy," adding that "there was a little element of some sort of taste."

The iconic Santa outfits are also one of the "Mean Girls"-inspired looks Ariana Grande recreated in her "thank u, next" music video. 



Cady starts to adopt Regina George's style after becoming the new queen bee.

During a get-together at her home, Cady Heron wore a strapless minidress with a black choker. Sticking to the early 2000s trend, she decided to show off her bright pink bra instead of opting for a strapless style. 



Regina sported her initial necklace again to spread the Burn Book pages across the entire school.

During her quest for revenge, Regina was seen wearing a black off-the-shoulder top with exposed bra straps, a fashion trend that was prominent in the early 2000s. She paired her top and flared denim with a matching Louis Vuitton belt and purse.



Damian's incognito look is a classic.

Although it's not the most fashionable look from the film, Damian's blue hoodie and black sunglasses are still considered iconic. 

Daniel Franzese, who played Damian in the movie, told Cosmopolitan the "She doesn't even go here" scene was one of his favorites. 



Regina wore an unexpected accessory to Spring Fling.

After being hit by a school bus, Regina George is forced to wear a back brace to Spring Fling, which distracts from her simple pink satin minidress. She completed the look by adding pink flowers to the halo. 



But she wasn't the only one to make a statement at Spring Fling.

Janis and Damian stood out in coordinating purple suits complete with ruffle shirts and polka dot bow ties. 




How box-office hit 'Abominable' was drastically changed for its Chinese release

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  • China-based Pearl Studio did tons of behind-the-scenes work to make "Abominable," a movie it coproduced with DreamWorks Animation, culturally relevant in China when it opens this week.
  • Pearl Studio chief content officer Peilin Chou described to Business Insider the year-long process the company undertook to dub and adapt the movie for the Chinese market.
  • It included changing jokes and even the backstory of a character to make it more appealing to Chinese audiences.
  • "Abominable" won the US box office its first weekend in theaters by earning over $20 million.
  • Visit Business Insider's homepage for more stories.

 

A movie lives in many different forms when it's released worldwide, and one of the main changes is that it's often dubbed into local languages.

Instead of Hollywood studios placing subtitles in their releases, they often hire actors from a specific region of the world to come in and say the lines of the characters.

"Abominable," the weekend's US box-office champ, is one of these movies. But thanks to Pearl Studio, which coproduced the animated title with DreamWorks Animation, when audiences in China see the movie (it opens there this week), they'll get a much more China-centric version of the movie than they normally would with a Hollywood release.

The Shanghai-based company (formerly known as Oriental DreamWorks) spent over a year tweaking the movie so that the version shown in China will have a deeper connection with audiences. That included changing jokes and even a character backstory. It's an unprecedented process that Pearl hopes will be the backbone of its collaboration with Hollywood studios going forward in this era when a movie's box-office draw in China, the world's No. 2 movie market, is vital. 

"What makes us unique is that at Pearl we are making global films, the box office for 'Abominable' in the US last weekend proved that, but also delivering that Chinese cultural authenticity," Peilin Chou, a producer on "Abominable" and chief content officer at Pearl Studio, told Business Insider.

And to pull that off, Pearl worked side-by-side with DreamWorks in the creation of "Abominable." The project began its development process in 2010, and hit its stride with the idea from the movie's director, Jill Culton ("Open Season"), that a Yeti should team with a group of kids to get back to home to the Himalayas. Because of that plot, setting the story in China was an easy decision and allowed Pearl to suggest elements to make sure everything about it was culturally relevant. That spanned from how the family in the story is portrayed to details of the city landscape they live in.

"They helped us get the details just right," Margie Cohn, president of DreamWorks Animation, told Business Insider. "We laughed, but it took a while until we got just the right amount of food on the table for a family dinner."

abominable 2 universalBut where Pearl's influence was really felt was after the movie was finished and the company prepared a dub for the China release.

Typically dubbing a movie for other regions of the world will take a week or so with actors recording the dialogue into a different language. But the process for "Abominable" was more advanced.

Pearl brought on acclaimed writer-director Shu Huan, who is behind the hugely successful Chinese movies "Lost in Thailand" and "Lost in Hong Kong," to be the consulting director. And the voice actor cast was made up of well-known stars in China like Zhang ZifengArthur Chen ("Ever Night"), Wan Qian ("Paradise in Service"), and sketch comedy actress Cai Ming.

But the dub hit a snag early in the process and it even caught Pearl off guard.

"We had a literal translation of the English script to Mandarin and what we realized is because of that the jokes were lost," Chou said. "It wasn't apparent that there were jokes."

Chou said it was then put upon Pearl, whose staff is bilingual, to explain to Shu Huan and the six-person writers' room the English jokes so then they could come up with bits that would work better for a Chinese audience.

Read more: Disney has dominated the box office for years, but experts say it will face challengers in 2020

One joke that needed tweaking was a sequence when the movie's villain Burnish (voiced by Eddie Izzard in the non-dubbed version) is presented with a group of whooping snakes. Burnish makes the comment, "They would make a nice belt," when they are presented to him. When Pearl showed the movie to a test audience in China that line didn't get a laugh. So it was changed to Burnish talking about the different kind of dishes he could make with the snakes: "A spicy soup or a salad," is what he says in the dub.

"Chinese culture is all about eating," Chou said. "That became a big laugh moment in the movie."

But it wasn't just many of the jokes that were altered. Some of the dramatic moments needed changing, too.

In a scene when Burnish talks about seeing a Yeti in his youth and then being mocked in public for believing the mythical creature exists, the China dub goes a step further.

Abominable 3 Universal"In the Mandarin version, not only did people make fun of him, but his family ridiculed him and cast him off; he actually lost his family," Chou said. "So that made it, I think, more relevant to the Chinese audience because the value of family is so strong."

Even songs were changed. A reference to the 1993 hit "Whoomp! (There It Is)" was swapped out for an equally catchy Chinese song. And in a dramatic moment when Coldplay's "Fix You" gets a needle drop, it was changed to a female singer doing a cover of the song in Mandarin.

Chou said this type of detail for the dubbing of a movie is very rare because it's such a challenge to do. Over the year it took to accomplish it, Shu Huan and the writers went through multiple drafts of the script before handing it over to the actors who would voice the characters. Pearl even brought in high-profile Chinese filmmakers to watch the dub, just to make sure they got the cultural sensibility right.

"I think they're incredibly invested in making it feel like the movie was made locally for a Chinese audience," Cohn said of Pearl, which she said she hopes to work with again. "They went above and beyond to make sure audiences are experiencing this as a Chinese production."

Next, Pearl will be teaming with Netflix on a coproduction of the animated movie "Over the Moon," which will be directed by Glen Keane (who won an Oscar for the Kobe Bryant short film "Dear Basketball"). And like "Abominable," it's a story with global appeal but rooted in Chinese culture, as it focuses on one of the most famous Chinese myths, the Moon Goddess.

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'Joker' is a chilling look at one of the greatest villains in comics that's all the more twisted because of its realness

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Joker Warner Bros

  • "Joker" is a twisted and violent origin story of DC Comics villain The Joker.
  • Joaquin Phoenix gives an Oscar-caliber performance as the villain.
  • The movie is also a chilling commentary on how society doesn't do enough to take are of those people who experience mental illness.
  • Visit Business Insider's homepage for more stories.

 

Right from the start, you can see "Joker" is going to be a different kind of superhero movie than you're used to. That's because director Todd Phillips opens with the Saul Bass-designed Warner Bros. logo used in the 1970s and 1980s.

Seeing the logo brings back memories of a grittier time, which is exactly the headspace Phillips wants you in as you embark on this origin story of DC's greatest villain.

In crafting the movie, Phillips and cowriter Scott Silver ("8 Mile,""The Fighter") are given a freedom that few are allowed. They are able to make a twisted drama of a troubled man — who also happens to be a super villain.

Forget big explosions, car chases, or plans to destroy Gotham City (or even the world). That's The Joker. Here we're exploring the life of Arthur Fleck (played by Joaquin Phoenix). He gets beat up at work (dressing as a clown for a range of events). He has a mental condition that makes him go into fits of laughter. And with no friends, all he has in his life is his mother, Penny (Frances Conroy).

But Arthur has dreams. He wants a relationship with the neighbor down the hall from him, Sophie (Zazie Beetz). And he wants to be a standup comedian. He even spends a lot of time writing jokes in a notepad (though most of them are not funny and very disturbing). Arthur aspires to one day be good enough to go on his favorite late night show, hosted by Murray Franklin (Robert De Niro).

Joker2 Warner BrosBut it seems whenever Arthur gets a little forward momentum in life, he's beaten back down — like a lot of people in Gotham City. Gotham is suffering a garbage strike that's so bad the news is reporting that a rare breed of "super rats" are in the city. And everywhere Arthur turns, Gotham's people treat each other badly.

Then one night, Arthur finally has enough. In the midst of being beaten up by three guys on the subway while dressed in his clown makeup, Arthur takes out a revolver and kills them all. When the news reports it the next day, instead of the city being frightened that a deranged clown who killed three people is still on the loose, they support what he did. Soon others walk around in clown masks, as a kind of statement that they are with this mystery guy who finally pushed back.

Read more: Jennifer Lopez is getting Major Oscar buzz for her performance in "Hustlers" and it's fully deserved

For the first time in Arthur's life, he feels appreciated. And it only gets more twisted from there.

"Joker" is an ultra-violent drama that takes heavy influence from movies like Martin Scorsese's "The King of Comedy" and "Taxi Driver." In both of those instances, the main characters (both played by De Niro) are men who are mentally troubled and in "Joker," it's no different. In fact, the movie is very much a commentary on how society doesn't do enough to nurture people who experience mental illness (at Arthur's lowest point in the movie, he's notified that the funding for the counseling he gets has been slashed and he can no longer get the medication prescribed to him).

This is all pulled off because of the tour-de-force performance given by Phoenix. The Clown Prince of Crime has always been a favorite character to play for actors, but here Phoenix takes it to its darkest place.

And Phillips shows with the movie that he's more than just a comedy director. Though he's known best for the "Hangover" movies, here he creates something that feels like it could have come out in the late 1970s. And he an Phoenix will likely get a lot of attention come Oscar time.

The business details:

  • In theaters October 4.
  • 122-minute running time.
  • Shot in New York City, New York; Jersey City, New Jersey; and Newark, New Jersey.
  • $55 million budget.
  • Released by Warner Bros.

SEE ALSO: The Nazi satire "Jojo Rabbit" is a heartfelt coming-of-age comedy by the director of "Thor: Ragnarok" that feautures an amazing performance by Scarlett Johansson

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NOW WATCH: Tobey Maguire's 'Spider-Man' is a classic, even though it's one of the more under-appreciated superhero films

The Joker is one of the oldest villains in comic book history and has undergone several iterations since 1940. Here's how the character evolved over the years.

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  • We've seen four entirely different iterations of the Joker throughout history: trickster, madman, philosopher and terrorist.
  • It was the Killing Joke that really changed everything and provided a philosophical outlook at the character.
  • Heath Ledger's performance as the Joker envisioned him as a terrorist and solidified him as one of the most perfect villains of all time.
  • Visit Business Insider's homepage for more stories. 

Following is a transcript of the video.

Why are we all so obsessed with the Joker? There are, of course, several explanations for this. For one, he is one of the oldest villains in comic book history, his first appearance dating all the way back in 1940, with "Batman" issue No. 1. But I think what really propelled the character to fame was in its various incarnations throughout history.

From comics to television, movies, video games, and animation, the Joker is probably one of the most readapted villains in history. And, understandably, the question of who did it best is an ongoing debate. But I think it's an unfair question, considering that every incarnation of the character, more specifically the four different types of Joker we've seen throughout history, are all entirely different characters. But without even just one of them, the Joker would not have evolved into the perfect villain we know today. 

The Joker's initial appearance in comics was very different from the Joker we know today. His appearance in "Batman" No. 1 portrayed him as a smart and capable criminal driven primarily by greed, committing a series of murders to steal precious jewels. Perhaps the most vital trait that was first established was his penchant for theatricality, announcing his crime via radio before they even happened. This would in time become a trope that would be used again and again. He was smart, cunning, and ruthless. But despite it all, the Joker was still just another criminal, albeit with an unusual sense of humor.

Several critics have viewed this Joker as a perfect example of the trickster archetype, one of the many archetypes devised by psychoanalyst Carl Jung. In literature, these are characters who show high levels of intelligence, use their mind to play tricks, or disobey any established rules. Another great example of this archetype is Loki from the Norse mythology and subsequently the Marvel comics, who, like the Joker, treads a thin line between malicious violence and harmless humor. When the "silver age" of comics hit in the '50s, DC began toning down the evil side of Joker to market their books for children and to avoid strict censorship. The 1942 story "The Joker Walks the Last Mile" became a turning point that transformed the unusual, menacing serial killer into a joke. And Cesar Romero's portrayal of the character in the 1960s television series "Batman" only solidified this image, depicting the character as an intelligent yet mostly harmless prankster with an unusual set of gadgets. As the show's popularity waned, so did the Joker, until in 1973, the character made a return in an almost unrecognizable form.

Under writer Dennis O'Neil, the "Batman" comics began taking a darker and grittier turn, and with it, the villains. "Batman" No. 251 signified the return of the Joker as a criminal and a serial killer. It was at this time that Joker truly turned mad. O'Neil and the writers who came after him began focusing on Joker's insanity, and with it came the creation of the landmark Arkham Asylum. Joker was no longer scary because he was a ruthless criminal, but because he was an insane and unpredictable one. Writer Steve Englehart's arc "The Laughing Fish" was an iconic story that exemplified this insanity, showing the Joker poisoning the water supply to make the fish look like him so he could copyright and profit off of them. The same story was also adapted in the '90s' "Batman: The Animated Series," expertly voiced by Mark Hamill, whose Joker was heavily inspired by the Joker of the '70s. It's a ridiculous premise, but nonetheless, the portrayal of the Joker is absolutely terrifying. The era signified a huge shift in the characterization of the Joker, but the transformation was far from complete.

All of this changed with just one work that would revolutionize the idea of the Joker for years to come: Alan Moore's "The Killing Joke." Published during the "dark age" of comics, when stories became even darker and more mature to target adult audiences, "The Killing Joke" was a revolutionary work for the character for a number of reasons. First, it established the idea that the Joker has no specific origin. Contrary to popular belief, "The Killing Joke" does not tell a definitive origin story for the Joker, but only a possible one inspired by a story that was already told years ago in "Detective Comics" No. 168. What is definitive is Joker's view on his past. This turned the Joker from an evil man to an idea, an embodiment of his belief. And with it, the Joker became more vocal about what he believes in, such as his frightening observation that all it takes for someone to become like him is just one bad day.

The second revolutionary aspect was in the novel's interpretation of Joker's relationship with Batman. Moore saw Batman and Joker as a mirror image of each other, both creations of a random and tragic event that led to an alternate identity and opposing views of the world. This meant that their fights were no longer just physical, but really a philosophical one. "The Killing Joke" opened the floodgate to other stories that began exploring the Joker as a philosopher. It was also what heavily inspired Jack Nicholson's iconic portrayal of the character in Tim Burton's "Batman." His Joker was really a combination of all the Jokers before him. The campiness of the '60s, the insanity of the '70s, and the philosophical implication of the modern era. This is perhaps why Nicholson's portrayal was so iconic, as it provided the most comprehensive look at the character that has drastically evolved over the years.

Until 2008, when director Christopher Nolan and Heath Ledger proved that Joker's transformation was far from over. Ledger's portrayal of the Joker was quite unlike anything we've seen. There were characteristics that clearly made him the Joker, like his pension for theatricality, the multiple origin stories, and a macabre sense of humor.  But if Nicholson's Joker was more of a performance artist, Ledger's was that of a terrorist who exploited the modern fear of political and philosophical extremism in the post-9/11 America. He was an anarchist who not only refused to follow the established order, but actively seeked to destroy it, introducing chaos to the political landscape of Gotham as its agent of chaos. Nolan also provided a specific philosophy to ground the character: nihilism. A philosophical belief that denies all meaningful values in life. One critic compared the Joker to what Friedrich Nietzsche ironically called Übermensch, or Superman, a being that independently decides on what's right or wrong and asserts their own belief into the world. Others also noticed that this interpretation of the Batman and the Joker's relationship mirrored the Nietzschean philosophy of the master and slave morality, Joker being the master morality that creates and defines its own rules without the approval of others and considers what benefits them to be good, while Batman serving as the slave morality that is bound by existing laws and distinguishes right from wrong, the two in constant battle for what each finds just. Ledger's Joker was scary, because, like "The Killing Joke," it embodied an idea of chaos and anarchy that couldn't be bought, bullied, reasoned, or negotiated with. An entity that Batman can't just win physically.

Joker's transformation is an ongoing one. The most recent adaptation, by Joaquin Phoenix, seems to be more political, representing him as a Marxist figure. And in recent comics, Scott Snyder portrayed the Joker as an almost demonic figure, an evil as old as the city of Gotham itself. And perhaps this is why we're all so obsessed with the Joker. It's a character that constantly changes and evolves to reflect our various fears. To borrow the mind of Nietzsche, it's not the abyss you're staring into that scares you, but the abyss staring back, with a big, clown-like smile. Joker: See, madness, as you know, is like gravity. All it takes is a little push. [Joker laughing maniacally]

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The iconic velociraptor scene in 'Jurassic Park' would have been different — and unscientific — if Spielberg had gotten his way, the film's science advisor says

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Velociraptor Jurassic World

  • In an iconic scene in the Hollywood blockbuster "Jurassic Park," velociraptors hunt down two children in a kitchen.
  • One raptor fogs up the glass on the kitchen door as it eyes its prey — a sign that these dinosaurs were warm-blooded, not cold-blooded.
  • According to the film's science adviser, the raptors in that scene almost had forked tongues. He cautioned director Steven Spielberg against it.
  • A forked tongue would have been scientifically inaccurate, since these dinosaurs were more like birds than snakes.
  • Visit Business Insider's homepage for more stories.

In one of the scariest scenes in Steven Spielberg's Hollywood blockbuster "Jurassic Park," two velociraptors stalk two children in a cafeteria kitchen.

The kids, Lex and Tim, peek nervously around a corner to see if their carnivorous pursuers have found them, and the camera pans to show a raptor peering through a window in the kitchen door. Its heavy breath fogs up the glass.

According to the movie's science adviser, Jack Horner, the raptors in that iconic scene almost looked very different.

Horner, a paleontologist from Montana State University, has served as an adviser for all five movies in Universal's "Jurassic Park" and "Jurassic World" franchises. He told Business Insider that he had to convince Spielberg to not give the velociraptors a snake-like aesthetic. 

"Originally Steven wanted them to walk in flicking their forked tongues," Horner said. "I said, 'No, no you cannot do that.'"

Giving the raptors a forked tongue would have been scientifically inaccurate, since these dinosaurs were more closely related to birds than snakes.

Dinosaurs probably didn't have forked tongues

Velociraptor Jurassic Park

Spielberg isn't wholly to blame for wanting to give his raptors an unscientific tongue: In the "Jurassic Park" book upon which the movie is based, author Michael Crichton describes a Tyrannosaurus rex as having a forked tongue.

In the novel, a T. rex chases Lex and Tim behind a waterfall. (For movie viewers, this is similar to a scene in the 1997 sequel "The Lost World.")

Crichton writes of the T. rex: "With a low growl, the jaws slowly opened, and the tongue snaked out. It was thick and blue-black, with a little forked indentation at the tip. It was 4 feet long, and easily reached back to the far wall of the recess."

But realistically, it's unlikely that the T. rex or velociraptor — or any dinosaur, for that matter — had a forked tongue the way modern-day snakes do. 

Read More:The velociraptors in the 'Jurassic Park' movies are nothing like their real-life counterparts

snake tongue

Forked tongues help some reptiles discern which direction a smell is coming from. But paleontologists have shown that dinosaurs were the ancestors of today's birds, which don't have forked tongues. Plus, they were more closely related to crocodiles and alligators (which also do not sport forked tongues) than snakes.

A warm-blooded win

Horner said he and Spielberg never fought about paleontology; rather, Horner said, Spielberg was "always asking what I thought of this that, I'd interject things, and he would choose to heed my advice or not."

Nonetheless, the kitchen scene represents a scientific victory for Horner.

Instead of flicking out a forked tongue, the raptor breathes on the cold surface of the kitchen window, causing condensation.

That's a clear indication that the dinosaurs depicted in "Jurassic Park" were warm-blooded, since it shows the raptor's internal temperature was warmer than its environment. At the time the movie came out, debate still raged among paleontologists about whether these creatures were warm- or cold-blooded.

But Horner was sure that dinosaurs didn't depend on their external environment to modulate their internal body temperatures, and were less slow and sluggish (characteristics associated with cold-bloodedness) than the way previous portrayals had depicted them. As it turns out, he was mostly right. 

Although paleontologists still don't agree about exactly where dinosaurs fall on the cold- to warm-blooded spectrum, a 2014 study found that these creatures most likely fell somewhere in the middle, unable to fully regulate their internal temperatures but "also not entirely at the whim of the environment."

Dinosaurs were "neither slow goliaths nor supercharged reptiles," the authors wrote.

Scientists who agree with Horner's stance took notice of the kitchen scene's scientific wink.

"The dinosaurs in Jurassic Park were explicitly warm-blooded," paleontologist Scott Persons told Business Insider. "That was critical because at the time, that was controversial."

That depiction, Persons said, ensured that the movie was on the cutting edge of paleontology, which was "key to the success of the film."

But the velociraptors in "Jurassic Park" still aren't as scientifically accurate as they could be. For one thing, Horner said, they should have feathers.

Velociraptor_Restoration

What's more, they're too big — velociraptors would have been the size of small turkeys.

More likely, paleontologists say, the creatures in the "Jurassic Park" kitchen scene are actually a different type of dinosaur called Deinonychus.

SEE ALSO: The real T. rex looked nothing like the monster in 'Jurassic Park.' These 13 discoveries have upended our picture of the 'king of the dinosaurs.'

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'Joker' is pacing to have the biggest box-office opening ever for October

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This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from

  • "Joker" earned $13.3 million in Thursday preview screenings, which broke the October record held by "Venom" last year with $10 million.
  • The Warner Bros. release is projected to have the biggest box-office opening ever for October, passing the $80 million brought in by "Venom."
  • Visit Business Insider's homepage for more stories.

 

It looks like "Joker" is going to have the last laugh. 

Despite the fact that director Todd Phillips' dramatic take on the legendary super villain is being kicked around by many critics (it has a 69% critic rating on Rotten Tomatoes), and the reports of police closely monitoring theaters as the movie hit screens Thursday, the Warner Bros. release is already breaking box-office records. 

Thursday preview screenings of "Joker" brought in $13.3 million. That's a record for the month of October, beating out Sony's "Venom," which opened last year with $10 million in previews and went on to have an opening weekend domestic total of $80 million, which is also a record.  

Read more: "Joker" is a chilling look at one of the greatest villains in comics that's all the more twisted because of its realness

"Joker" is projected to beat that figure and have the biggest opening weekend ever for October.

That's not bad for a movie that is rated R and has been the subject of some negative pieces for its violent material. 

And coming off the awful release of "The Goldfinch" (it has only earned $8.2 million worldwide to date on a $45 million budget), Warner Bros. needs a big win. "Joker" is playing on over 4,300 screens in North America, a record for an October release, showing just how bullish the studio is in the movie making back its north of $60 million budget this weekend. 

Things are also good internationally, as "Joker" has brought in $24.6 million in the last two days in 47 markets. 

 

SEE ALSO: M. Night Shyamalan finds TV "terrifying" but says he has a 60-episode plan for his Apple thriller series, "Servant"

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